{"id":859,"date":"2009-12-16T16:59:42","date_gmt":"2009-12-16T23:59:42","guid":{"rendered":"http:\/\/eltecolote.org\/content\/?p=859"},"modified":"2010-04-21T17:08:42","modified_gmt":"2010-04-22T00:08:42","slug":"archaeology-of-memory-villa-grimaldi","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/en\/archaeology-of-memory-villa-grimaldi\/","title":{"rendered":"Archaeology of Memory: Villa Grimaldi"},"content":{"rendered":"<p><a rel=\"attachment wp-att-861\" href=\"https:\/\/eltecolote.org\/content\/2009\/12\/archaeology-of-memory-villa-grimaldi\/llaves-y-manos\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-861\" title=\"Photo Adam Kufeld\" src=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/04\/Llaves-y-Manos.jpg?resize=479%2C720&#038;quality=89&#038;ssl=1\" alt=\"\" width=\"479\" height=\"720\" srcset=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/04\/Llaves-y-Manos.jpg?w=998&amp;quality=89&amp;ssl=1 998w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/04\/Llaves-y-Manos.jpg?resize=600%2C902&amp;quality=89&amp;ssl=1 600w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/04\/Llaves-y-Manos.jpg?resize=166%2C250&amp;quality=89&amp;ssl=1 166w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/04\/Llaves-y-Manos.jpg?resize=319%2C480&amp;quality=89&amp;ssl=1 319w\" sizes=\"auto, (max-width: 479px) 100vw, 479px\" \/><\/a>Quique Cruz is a scholar, musician, composer, writer and filmmaker, born and raised on the central coast of Chile.\u00a0In the wake of the 1973 coup d\u2019etat, he was imprisoned at the notorious Villa Grimaldi detention center. He was eventually released, sent into exile, and relocated to the San Francisco Bay Area, where he has since worked prolifically in a multitude of creative endeavors.<\/p>\n<p>Archaeology of Memory: Villa Grimaldi, directed and produced by Cruz and Marilyn Mulford, debuted in 2008 and has appeared in many film festivals in the U.S. and abroad, including the Mill Valley Film Festival where it won the Audience Prize. This October, it was shown nationally on PBS.<\/p>\n<p>The International Documentary Association, a Los Angeles-based group that promotes and celebrates non-fiction filmmaking across the globe, recently nominated the film for an award. The film was nominated in the category of films about music.\u00a0The awards ceremony, hosted by Ira Glass, will take place on Dec. 4 at the Directors Guild in Los Angeles.\u00a0Mr. Cruz recently spoke to El Tecolote about the film.<\/p>\n<p>What is the Archaeology of Memory?<\/p>\n<p>The Archaeology of Memory is a project that involves a musical suite, a book, a film and an installation. It stems from the work for a dissertation in a program in literature at Stanford University. Theoretically, the project is about the questions of creating beauty out of experiences of pain and the relationship between beauty and aesthetics and how artists who have gone through situations of violence in their lives, where political regimes have committed crimes against artists, have dealt with that pain and how they have created objects of art and put them in the public sphere.<\/p>\n<p>Specifically, the film traces the story of a journey I took from the United States to Chile to talk to friends who had been in concentration camps with me: a painter, a poet, a writer and a ceramicist. I asked them about how they have dealt with being in prison and being tortured and their work as artists.\u00a0 In that journey,\u00a0 I wrote a musical piece that would accompany the film.\u00a0 I kept writing through the whole journey: in the U.S., in Chile, in airports, in former concentration camps, in a museum that had been a concentration camp.<\/p>\n<p>What about the other people who worked on the film?<\/p>\n<p>Film is a very complicated artistic medium. I had no idea.\u00a0 I had been a musician all my life, and I didn\u2019t know how dependent you are on creating a crew, a team of people who are going to tell the story.\u00a0There were forty or fifty people that worked on the project, including director and producer Marilyn Mulford, cinematographer Vicente Franco, editor Michael Chandler, photographer Adam Kufeld and graphic artist Guillermo Prado.<\/p>\n<p>It must be a challenging experience, first of all, to be exiled to the U.S., which had such an integral part in the Chilean coup, and especially challenging now, in this last decade, when the U.S. has had such a highly publicized role in the use of torture.<\/p>\n<p>I never thought about this as a piece on Latin America history, but a piece on the human condition and the permanence of torture in society and, most importantly, about the role of the artist in depicting the human experience of torture.\u00a0When we started to make the film ten years ago nobody wanted to talk about these issues. They said, \u201cThis is history.\u00a0It was a long time ago . . . .\u201d\u00a0 We couldn\u2019t get anyone to fund the film.\u00a0The moment that the U.S. invaded Iraq for the second time and Abu Ghraib came into the news, then our film became contemporary. We got funded right away.\u00a0We got a grant from ITVS, a branch of PBS that scouts for new films.\u00a0Through the media I was receiving all this information about the torturing of people, things that I have experienced myself or my friends have experienced. It was difficult to hear about all this.\u00a0 On the other hand, it made the project true and important and very contemporary.<\/p>\n<p>For some reason, because of the relationships of power that are established in this world, some people keep doing the same things:\u00a0bombing people, torturing people.\u00a0I interviewed my mother for this film, and my mother, I think, was one of the most eloquent people in the film.\u00a0 She said, \u201cThis really didn\u2019t happen only to us, it didn\u2019t happen to you, my son, this happened to many people and it will keep on happening.\u201d\u00a0And she said it a year before Abu Ghraib.<\/p>\n<p>What kind of reactions have you gotten from viewers of the film?<\/p>\n<p>I didn\u2019t want to make a film where people felt hopeless.\u00a0What has been surprising, but gratifying to me, is that people have written and said that it\u2019s such a hopeful film.<\/p>\n<p>The next Bay Area showing of Archaeology of Memory:Villa Grimaldi\u00a0will be at Pacific Film Archive in Berkeley on Feb. 7, 2010. The documentary is part of a series accompanying Francisco Botero\u2019s drawings and paintings about abuses in Iraq\u2019s Abu Ghraib prison.For more information please visit: www.arqueologiadelamemoria.org, www.quijerema.com<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Quique Cruz talks about his imprisonment in one of Chile\u2019s notorious detention centers.<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"newspack_popups_has_disabled_popups":false,"newspack_featured_image_position":"","newspack_post_subtitle":"","newspack_article_summary_title":"Overview:","newspack_article_summary":"","newspack_hide_updated_date":false,"newspack_show_updated_date":false,"footnotes":""},"categories":[6],"tags":[56,58,63,65,59,64],"coauthors":[18468],"class_list":["post-859","post","type-post","status-publish","format-standard","hentry","category-latin_america","tag-chile","tag-dictadura","tag-documentary","tag-film","tag-pinochet","tag-torture","entry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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