{"id":70477,"date":"2026-02-03T11:14:00","date_gmt":"2026-02-03T19:14:00","guid":{"rendered":"https:\/\/eltecolote.org\/content\/?p=70477"},"modified":"2026-02-03T11:20:19","modified_gmt":"2026-02-03T19:20:19","slug":"sf-faroles-arte-mujeres-migrantes","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/es\/sf-faroles-arte-mujeres-migrantes\/","title":{"rendered":"Exhibici\u00f3n de linternas en SF revela los desaf\u00edos compartidos por mujeres migrantes latinas y chinas"},"content":{"rendered":"\n

Distribuidos en dos barrios de San Francisco, la Misi\u00f3n y Chinatown, 15 faroles emiten un c\u00e1lido resplandor que se filtra por delicados calados que evocan el estilo papel picado.<\/p>\n\n\n\n

Uno de los faroles, exhibido en la Galer\u00eda de la Raza, representa a una mujer joven tendiendo la mano hacia otras tres. La imagen simboliza los desaf\u00edos emocionales que pueden acompa\u00f1ar a quien migra, incluyendo la separaci\u00f3n familiar y los cambios de vida repentinos.<\/p>\n\n\n\n

Read this story in English<\/a><\/em><\/p>\n\n\n\n

\u201c[Esta] soy yo en momentos en que mis emociones se sienten nubladas, cuando me siento sola, incapaz o con miedo de no lograr nada en la vida\u201d, coment\u00f3 Nadia Rodr\u00edguez, de 22 a\u00f1os de edad. \u201cLa otra figura, que sostiene su mano y lleva una estrella en el coraz\u00f3n, tambi\u00e9n soy yo: mi verdadero yo, guiado por la esperanza, la luz interior y la resiliencia\u201d.<\/p>\n\n\n\n

Las figuras detr\u00e1s de ella, explic\u00f3 Rodr\u00edguez, representan a las comunidades latina y migrante en su conjunto, incluyendo a familiares y amistades que le brindan apoyo y le recuerdan que no est\u00e1 sola.<\/p>\n\n\n\n

Rodr\u00edguez es una de las quince mujeres migrantes, de origen asi\u00e1tico y latino, que participan en Bay Windows<\/a>, una exposici\u00f3n de arte que presenta faroles dise\u00f1ados para tender puentes entre esas dos comunidades de San Francisco.<\/p>\n\n\n\n

\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n
(Foto a la izquierda) Mujeres migrantes de Chinatown y la Misi\u00f3n aprendieron t\u00e9cnicas de papel picado de la mano de artistas invitadas. (Foto a la derecha) <\/strong>Mayra Alfaro y Yurisma Gonz\u00e1les (abajo) utilizan cuchillas artesanales para realizar sus grabados a mano. Foto: Lee Oscar Gomez.<\/figcaption><\/figure>\n\n\n\n

Christine Wong Yap, la artista l\u00edder del proyecto, trabaj\u00f3 con mujeres de ambas comunidades para traducir sus historias en faroles de papel, tela y metal. La exposici\u00f3n resultante explora temas como la migraci\u00f3n, los derechos laborales, el costo de vida, la vivienda asequible, la seguridad p\u00fablica y la salud mental.<\/p>\n\n\n\n

\u201cEsta idea germin\u00f3 hace unos a\u00f1os, cuando empez\u00f3 a cobrar fuerza el discurso de \u2018decadencia\u2019 sobre San Francisco\u201d, explic\u00f3 Yap. \u201cMe molestaba que se enfocara solo en los multimillonarios y en el sector tecnol\u00f3gico, dejando de lado a la clase trabajadora; en especial a las personas migrantes que viven aqu\u00ed y que son quienes sostienen a esta ciudad\u201d.<\/p>\n\n\n\n

Yap cont\u00f3 con el apoyo de int\u00e9rpretes biling\u00fces para garantizar que los talleres fueran impartidos en espa\u00f1ol, ingl\u00e9s y canton\u00e9s. Las participantes desarrollaron sus dise\u00f1os mediante consignas guiadas, sesiones de lluvia de ideas, escritura reflexiva y bocetos, tanto en grupos peque\u00f1os como en reuniones individuales. Posteriormente, Yap tradujo esas ideas en bocetos y plantillas de papel que las colaboradoras utilizaron para recortar los dise\u00f1os de sus faroles.<\/p>\n\n\n\n

Como hija de migrantes, esta artista se\u00f1al\u00f3 que el proyecto fue algo profundamente personal: \u201cTrabajar con las comunidades de habla china e hispana ten\u00eda todo el sentido para m\u00ed\u201d, afirm\u00f3. \u201cSon los dos grupos m\u00e1s numerosos de San Francisco con un dominio limitado del ingl\u00e9s, pero tambi\u00e9n tienen mucho en com\u00fan. Me pareci\u00f3 muy significativo propiciar este encuentro\u201d.<\/p>\n\n\n\n

Rodr\u00edguez, originaria de El Salvador, ha vivido en los EEUU durante dos a\u00f1os y participado en el proyecto junto con su abuela, Lupita Iraheta, de 62 a\u00f1os de edad, otra colaboradora en la exhibici\u00f3n.<\/p>\n\n\n\n

\"\"
Un dise\u00f1o de papel picado creado por Cammi Huang, participante de \u2018Ventanas en saliente’, junto con la artista Christine Wong Yap; la pieza expresa c\u00f3mo los salarios precarios afectan a las familias. Esta pieza forma parte de una exposici\u00f3n p\u00fablica de faroles que busca unir a las comunidades latina y china de San Francisco. Foto: Lee Oscar Gomez.<\/figcaption><\/figure>\n\n\n\n

Para ella, el mayor reto del proyecto fue transformar en arte su experiencia como joven migrante. \u201cSe convirti\u00f3 en un espacio de sanaci\u00f3n y conexi\u00f3n en el cual nuestras historias fueron escuchadas y representadas como parte de la misma comunidad\u201d.  <\/p>\n\n\n\n

Por su parte Iraheta, quien lleg\u00f3 al pa\u00eds hace 12 a\u00f1os, supo de \u2018Ventanas en saliente\u2019 a trav\u00e9s del Centro Cultural de la Misi\u00f3n (MCCLA, por sus siglas en ingl\u00e9s), el anterior anfitri\u00f3n del proyecto. Comparti\u00f3 que, al principio, las barreras ling\u00fc\u00edsticas fueron un desaf\u00edo, ya que algunas participantes solo hablaban espa\u00f1ol, mientras que otras se comunicaban en canton\u00e9s o ingl\u00e9s. Sin embargo, una vez superados esos obst\u00e1culos, describi\u00f3 la experiencia como algo profundamente gratificante.<\/p>\n\n\n\n

\u201cLo que m\u00e1s me sorprendi\u00f3 de la cultura asi\u00e1tica fue su hospitalidad, solidaridad y dinamismo, igual que nosotras las latinas\u201d.<\/p>\n\n\n\n

Su farol refleja el impacto que el desempleo ha tenido en su vida. \u201cComo pueden ver, hay una persona cayendo y, abajo, un grupo de apoyo alternativo la espera\u201d, explic\u00f3. \u201cLas im\u00e1genes de prendas de vestir reflejan mi reinvenci\u00f3n en el mundo de la costura y el arreglo de ropa\u201d.<\/p>\n\n\n\n

Exhibido en el escaparate de Acci\u00f3n Latina, en la calle 24, sede de El Tecolote<\/em>, Iraheta espera que quienes vean su farol \u201caprendan que, a pesar de las adversidades que surgen en nuestro camino, siempre tenemos alternativas para sobrevivir, hacer la vida m\u00e1s llevadera y renacer\u201d.<\/p>\n\n\n\n

Los faroles que forman parte de la exposici\u00f3n <\/em>Ventanas en saliente estar\u00e1n exhibidos hasta el 11 de marzo de 2026.<\/em><\/p>\n\n\n\n

\"\"
Participantes y equipo organizador del proyecto art\u00edstico \u2018Ventanas en saliente’ en una foto grupal en la Galer\u00eda de la Raza, en San Francisco. Foto: Huan Filippi.<\/figcaption><\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Ventanas en saliente, una exhibici\u00f3n de linternas escult\u00f3ricas que une a las comunidades china y latina de San Francisco a trav\u00e9s del arte p\u00fablico.<\/p>\n","protected":false},"author":88941,"featured_media":70478,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"newspack_popups_has_disabled_popups":false,"newspack_featured_image_position":"large","newspack_post_subtitle":"","newspack_article_summary_title":"Overview:","newspack_article_summary":"","newspack_hide_updated_date":false,"newspack_show_updated_date":false,"footnotes":""},"categories":[25378],"tags":[],"coauthors":[25474],"class_list":["post-70477","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte-cultura","entry"],"yoast_head":"\nFaroles en San Francisco revelan luchas compartidas entre mujeres migrantes<\/title>\n<meta name=\"description\" content=\"Exposici\u00f3n \u2018Ventanas en saliente\u2019 en 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