{"id":70293,"date":"2026-01-22T17:11:12","date_gmt":"2026-01-23T01:11:12","guid":{"rendered":"https:\/\/eltecolote.org\/content\/?p=70293"},"modified":"2026-01-22T17:11:15","modified_gmt":"2026-01-23T01:11:15","slug":"carpoolers-sfmoma-alejandro-cartagena","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/es\/carpoolers-sfmoma-alejandro-cartagena\/","title":{"rendered":"\u2018Carpool\u2019 en el SFMOMA: im\u00e1genes virales que captan la vida laboral latina\u00a0"},"content":{"rendered":"\n

En la parte trasera de una camioneta azul marino, un hombre mayor yace completamente estirado, abierto de brazos y piernas en forma de estrella. Su rostro apunta hacia el cielo: est\u00e1 profundamente dormido.<\/p>\n\n\n\n

Esta es una de las primeras fotograf\u00edas que las personas visitantes encuentran en la actual exposici\u00f3n del SFMOMA, Ground Rules<\/em>, que destaca la obra del fot\u00f3grafo Alejandro Cartagena.<\/p>\n\n\n\n

Read this story in English<\/a><\/em><\/p>\n\n\n\n

La imagen pertenece a su serie \u2018Carpool\u2019, realizada entre 2011 y 2012. En ella, el artista documenta la cotidianidad de las personas que viajan en la parte posterior de camionetas en Monterrey, M\u00e9xico. A trav\u00e9s de una toma a\u00e9rea desde los pasos elevados de las autopistas, las fotograf\u00edas muestran a quienes trabajan en el campo, familias y ni\u00f1as y ni\u00f1os compartiendo comida, durmiendo o descansando tras largas jornadas de trabajo.<\/p>\n\n\n\n

A m\u00e1s de una d\u00e9cada, contin\u00faa circulando ampliamente en las redes sociales. <\/p>\n\n\n\n

\u201cNo pens\u00e9 que la gente se identificar\u00eda con las im\u00e1genes\u201d, dijo Cartagena en entrevista<\/a> reciente con El Tecolote<\/em> y 48 Hills<\/em>. Lo que inspir\u00f3 la serie, explic\u00f3, fue el deseo de captar a Monterrey desde una perspectiva distinta.  <\/p>\n\n\n\n

\"\"
Varios trabajadores descansan en la parte trasera de una camioneta en Monterrey, M\u00e9xico, fotograf\u00eda que forma parte de la serie ‘Carpoolers’ de Alejandro Cartagena, que documenta la cotidianidad y la vida laboral. Foto cortes\u00eda: SFMOMA.<\/figcaption><\/figure>\n\n\n\n

Al regresar al mismo lugar a lo largo un a\u00f1o, este fot\u00f3grafo comenz\u00f3 a identificar a la misma gente con el cambio de las estaciones: \u201cQuer\u00eda representar la vida cotidiana de las personas trabajadoras. Ese momento de tanto dolor por el que atravesaba mi pa\u00eds\u201d.<\/p>\n\n\n\n

En esa \u00e9poca, la ciudad mexicana de Monterrey atravesaba por la extrema violencia resultado de la guerra entre los c\u00e1rteles Los Zetas y de Sinaloa<\/a>. <\/p>\n\n\n\n

Cartagena naci\u00f3 en Rep\u00fablica Dominicana en 1977 y se mud\u00f3 a Monterrey en 1990. <\/p>\n\n\n\n

Inici\u00f3 \u2018Carpool\u2019 en 2011 con el objetivo de visibilizar la cotidianidad en la vida de las personas, cuyas historias quedaban eclipsadas por la violencia que las rodeaba. Fue una tarea compleja; en cierto momento, confes\u00f3, consider\u00f3 abandonar el proyecto por completo.<\/p>\n\n\n\n

Ahora, considera su trabajo como una invitaci\u00f3n para que la gente se detenga a observar: \u201cTambi\u00e9n se convirti\u00f3 en una historia sobre c\u00f3mo funciona una ciudad, y c\u00f3mo estamos ante una repetici\u00f3n\u201d, se\u00f1ala el fot\u00f3grafo. \u201cComo siempre estamos en movimiento, parece que todo es caos, pero si te detienes, ver\u00e1s estos patrones\u201d .<\/p>\n\n\n\n

\"\"
Fotograf\u00edas de ‘Ground Rules’, exhibici\u00f3n de Alejandro Cartagena actualmente abierta al p\u00fablico en el SFMOMA de San Francisco. Foto cortes\u00eda: SFMOMA.<\/figcaption><\/figure>\n\n\n\n

Una tarde en el SFMOMA, Netanya Buenrostro, de origen mexicano y guatemalteco, de 22 a\u00f1os de edad y estudiante del California College of the Arts, recorr\u00eda la exposici\u00f3n: \u201cQuer\u00eda venir a apoyar a otro artista latino\u201d, coment\u00f3. \u201cDe verdad me inspir\u00f3\u201d.<\/p>\n\n\n\n

Buenrostro reconoci\u00f3 que la obra de Cartagena le record\u00f3 a ella y a su familia, al regresar a casa con el cansancio de un largo d\u00eda de trabajo en la construcci\u00f3n.  <\/p>\n\n\n\n

Por su parte, Andr\u00e9s Ruiz, un joven de 26 a\u00f1os de edad, de origen mexicano y nacido en San Francisco, recuerda haberse enterado de esta exposici\u00f3n en internet cuando se volvi\u00f3 viral. Ruiz, quien actualmente vive y trabaja como barbero en San Bruno, afirma que ver las fotograf\u00edas en persona fue una experiencia poderosa: \u201cMe provoca cierta emoci\u00f3n que, a mi parecer, quienes no sean de origen mexicano o latino podr\u00e1n entender. Lo podr\u00e1n apreciar, m\u00e1s no entender\u00e1n el sentimiento real que hay detr\u00e1s. Veo a mis t\u00edas, a mis t\u00edos y a mis primos. Me causa mucho dolor pero tambi\u00e9n alegr\u00eda, y orgullo de mi cultura y mi gente\u201d.<\/p>\n\n\n\n

Ruiz aprecia que el SFMOMA haya creado el espacio para que la comunidad latina se vea representada con autenticidad a trav\u00e9s de un artista latino. <\/p>\n\n\n\n

En internet, hay quienes desde la cr\u00edtica han planteado preocupaci\u00f3n sobre la privacidad de las personas retratadas. Por el contrario, hay quienes sostienen que las im\u00e1genes son un retrato honesto de la vida: \u201cSiento que, si las fotos han circulado durante tanto tiempo y no ha tenido consecuencias negativas, probablemente est\u00e9 bien\u201d, coment\u00f3 Kota Borsdorf, quien visitaba el museo para celebrar su cumplea\u00f1os n\u00famero 26. \u201cObviamente, si hubieran tenido alg\u00fan impacto negativo, ser\u00eda importante considerarlo. Pero si no fue as\u00ed, creo que es m\u00e1s relevante que estas fotos se muestren y que el p\u00fablico las vea. Creo que el beneficio es mayor. No siempre se puede ocultar c\u00f3mo es la realidad\u201d<\/p>\n\n\n\n

Buenrostro coincide: \u201cPienso que se sentir\u00e1n honradas en saberse representadas\u201d.\u00a0<\/p>\n\n\n\n

Ground Rules<\/em> se encuentra en exhibici\u00f3n en el SFMOMA hasta el 19 de abril de 2026.<\/p>\n\n\n\n

\"\"
La exhibici\u00f3n ‘Ground Rules’ de Alejandro Cartagena, se encuentra actualmente abierta al p\u00fablico en el SFMOMA de San Francisco. Foto cortes\u00eda: SFMOMA.<\/figcaption><\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

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