{"id":6662,"date":"2010-12-01T16:20:58","date_gmt":"2010-12-01T23:20:58","guid":{"rendered":"http:\/\/eltecolote.org\/content\/?p=6662"},"modified":"2010-12-01T16:20:58","modified_gmt":"2010-12-01T23:20:58","slug":"la-plebe-plays-punk-with-horns-and-heart","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/en\/la-plebe-plays-punk-with-horns-and-heart\/","title":{"rendered":"La Plebe plays punk with horns and heart"},"content":{"rendered":"<figure id=\"attachment_6655\" aria-describedby=\"caption-attachment-6655\" style=\"width: 480px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/12\/la-Plebe-COLOR.jpg?quality=89&#038;ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-6655 \" title=\"Hanna Quevedo\" src=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/12\/la-Plebe-COLOR.jpg?resize=480%2C320&#038;quality=89&#038;ssl=1\" alt=\"\" width=\"480\" height=\"320\" srcset=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/12\/la-Plebe-COLOR.jpg?resize=600%2C400&amp;quality=89&amp;ssl=1 600w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/12\/la-Plebe-COLOR.jpg?resize=360%2C240&amp;quality=89&amp;ssl=1 360w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/12\/la-Plebe-COLOR.jpg?w=2000&amp;quality=89&amp;ssl=1 2000w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/12\/la-Plebe-COLOR.jpg?w=3000&amp;quality=89&amp;ssl=1 3000w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a><figcaption id=\"caption-attachment-6655\" class=\"wp-caption-text\">La Plebe (Left to right: On trumpet Alberto Cuellar, on trombone Antonio \u201cTron\u201d Cuellar, drummer Mark T. Harris, Bassist-singer Lupe Bravo and John, a good friend of the band. Adam \u201cPags\u201d Paganinis  is not in the photo this time). <\/figcaption><\/figure>\n<p>It\u2019s almost 11 p.m. on Friday night at Slim\u2019s in San Francisco, where over 400 fans have gathered to experience the band they\u2019ve been waiting for.\u00a0 And when the band finally starts their set, the electric guitar, bass, drums and horns release a tidal wave of sound that washes back toward the stage with the surge of a young and energetic crowd that\u2019s now jumping up and down uncontrollably.<\/p>\n<p>There\u2019s a synergy between the audience and the band, and it\u2019s creating an ever-rising energy level. The audience is overjoyed and so is La Plebe \u2013 one of the Bay Area\u2019s most exciting independent bands \u2013 known for it\u2019s own bilingual brand of thrash-worthy punk rock with horns.<\/p>\n<p>For the San Francisco-based band, La Plebe, which means \u201cthe people\u201d in Spanish, this night on Nov. 3 was a special occasion \u2013 their fifth and most ambitious album \u201cBrazo en Brazo\u201d was being released the following week on CD and for the first time on vinyl.<\/p>\n<p>The quintet consists of founding member bassist\/singer Lupe Bravo, drummer Mark T. Harris, guitarist Adam \u201cPags\u201d Paganini, and the brass section made up of Alberto Cu\u00e9llar on trumpet and Antonio \u201cTron\u201d Cu\u00e9llar on trombone.<\/p>\n<p>The band members grew up listening to traditional Latino music in their households where the horn instruments play a key role. La Plebe puts this influence to use by having the horn section take on the role that the lead guitarist plays in other punk rock bands. While guitarist Pags lays down the rhythm, it\u2019s the Cu\u00e9llar brothers\u2019 horns that carry the melodies.<\/p>\n<p>It\u2019s this distinctive sound that defines La Plebe but it also, sometimes, gets their music mislabeled as punk-ska, which has a similar instrument arrangement but a different sound and rhythm. They admit there is an influence and they might use ska rhythm, or \u201cskank\u201d, but they don\u2019t think it\u2019s significant enough to warrant the ska label.<\/p>\n<figure id=\"attachment_6656\" aria-describedby=\"caption-attachment-6656\" style=\"width: 250px\" class=\"wp-caption alignleft\"><a rel=\"attachment wp-att-6656\" href=\"https:\/\/eltecolote.org\/content\/2010\/12\/la-plebe-toca-con-trompeta-trombon-y-corazon\/plebe_brazoenbrazo_art_small\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-6656\" title=\"La Plebe - Brazo en Brazo\" src=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/12\/plebe_brazoenbrazo_art_small.jpg?resize=250%2C250&#038;quality=89&#038;ssl=1\" alt=\"\" width=\"250\" height=\"250\" srcset=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/12\/plebe_brazoenbrazo_art_small.jpg?resize=250%2C250&amp;quality=89&amp;ssl=1 250w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/12\/plebe_brazoenbrazo_art_small.jpg?resize=300%2C300&amp;quality=89&amp;ssl=1 300w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/12\/plebe_brazoenbrazo_art_small.jpg?resize=100%2C100&amp;quality=89&amp;ssl=1 100w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/12\/plebe_brazoenbrazo_art_small.jpg?resize=600%2C600&amp;quality=89&amp;ssl=1 600w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/12\/plebe_brazoenbrazo_art_small.jpg?resize=480%2C480&amp;quality=89&amp;ssl=1 480w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/12\/plebe_brazoenbrazo_art_small.jpg?w=750&amp;quality=89&amp;ssl=1 750w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><\/a><figcaption id=\"caption-attachment-6656\" class=\"wp-caption-text\">La Plebe - Brazo en Brazo<\/figcaption><\/figure>\n<p>\u201cDon\u2019t get us wrong, we want to make it very clear. We love ska music \u2013 a lot \u2013 but that\u2019s just not what we play,\u201d Alberto says. \u201cBecause we play with horns, people can get confused. We don\u2019t want people to come thinking we are going to play ska and then we don\u2019t \u2013 and they are disappointed. It happened, and we don\u2019t want that.\u201d<\/p>\n<p>No one, however, appeared disappointed at the album release at Slim\u2019s. La Plebe has a strong community relationship with their fans. It\u2019s practically a La Plebe trademark for fans to get on stage and start singing with the band at every show. While the group wants to continue that connection with the fans, sometimes an over-excited fan can be challenging, and they have stories of close calls.<\/p>\n<p>\u201cYeah, I had a fan start singing a song with me but he forgot the words and said, \u2018You sing it!\u2019 and shoved the mic in my teeth,\u201d recalls Lupe, smiling with all his teeth still noticeably intact.<\/p>\n<p>But if the sense of community at a La Plebe show is strong, it\u2019s only because the apple doesn\u2019t fall far from the tree.<\/p>\n<p>\u201cWe are an extremely tight band,\u201d Pags says. \u201cFor us, if one of us is sick or can\u2019t make it, we just don\u2019t play. We can\u2019t imagine playing without one another.\u201d<\/p>\n<p>Since La Plebe formed in 2001, Pags joined in 2004 after one of the band\u2019s founding members had left, but that has been the only change in the band\u2019s line-up.<\/p>\n<p>To La Plebe, it\u2019s the individuals that make and complete the group, which can be a rarity in many of today\u2019s independent bands where personnel changes are often casual and frequent.<\/p>\n<p>\u201cIt can be kind of strange when we get to know another band that we like and hang out with, and then we will see them later down the road and you notice right away that someone is missing,\u201d Alberto says. \u201cIt\u2019s like, \u2018What happened?\u2019 It changes the chemistry and sometimes it\u2019s a little sad.\u201d<\/p>\n<p>The solidarity and synergy doesn\u2019t just end there but extends into their songwriting as well \u2013 all the songs are written collectively and credited to La Plebe.<\/p>\n<p>\u201cI or someone else will bring in an idea,\u201d Lupe says, \u201cbut a song doesn\u2019t get written until we all get together, and then those individual ideas will change into something else.\u201d<\/p>\n<p>The audience\u2019s reaction at Slim\u2019s to new tracks appears to be a success, however, La Plebe knows it\u2019s always a balancing act when introducing new material, so they divide their set equally between fan favorites and songs from their new CD.<\/p>\n<p>Though the members originally come from areas like Salinas, Santa Cruz and Los Angeles, their roots as a band run deep in the Mission District.<\/p>\n<p>\u201cWe\u2019ve all lived here at one time or another and we all spend a lot of time here,\u201d said Alberto, who now lives in the Mission District.<\/p>\n<p>Indeed, they have made their mark in the Mission District from playing guerilla-style concerts in Clarion Alley and the BART station at 24th and Mission \u2013 until the police would show up \u2013 to playing countless gigs at Balazo and El Rio. But this is the 21st Century, after all; the world has gone global and so has the tour-heavy La Plebe.<\/p>\n<p>La Plebe has gone on multiple tours to countries in Latin America and Europe. On their first trip to the UK in 2008, the group was playing with none other than Mick Jones from the Clash, who joined them on stage for their version of \u201cThe Guns of Brixton.\u201d<\/p>\n<p>Their tours have also included four trips to the Balkans, where they have fostered a fan base despite the fact that little English, and practically no Spanish, is spoken there.<\/p>\n<p>Their experiences in the Balkans, where wounds from civil wars and ethnic cleansing are still very raw, have had a profound effect on the band and in how they view the world.<\/p>\n<p>\u201cIntense! That\u2019s the best word to sum it up. Intense,\u201d Pags says. \u201cHanging out with people who have just been through a war is very humbling.\u201d<\/p>\n<p>Despite the fans not understanding Spanish, many of them, Lupe says, translate the lyrics themselves, and they identify with the problems that immigrants face in U.S. and other places in Latin America. The political situation there, the band admits, is complicated.<\/p>\n<p>In the tradition of bands like The Clash from the UK and Tijuana No! from Mexico, La Plebe is a band that stands by their principles. They don\u2019t shy away from a social justice point of view in their lyrics. At the same time, they don\u2019t want to tell people what to do or think.<\/p>\n<p>\u201cWe try not to preach. We just try to tell facts,\u201d says Pags, whose own parents fled from Argentina during its \u201cDirty War.\u201d \u201cWe want to get rid of ignorance to have people be more unified. We want to get people pumped and have a great f-cking time.\u201d<\/p>\n<p>Indeed, that sentiment might best describe their newest album in three years. \u201cBrazo en Brazo\u201d was produced by Billy Gould of Faith No More and released on his imprint, Koolarrow Records. It\u2019s a definitive and cohesive representation of everything the band stands for.<\/p>\n<p>Many of the songs are unapologetically political and carry cries for social justice whether for families separated by immigration polices (\u201cSoledad\u201d), the plight of farm workers (\u201cCampesino\u201d) or the history of Latin America (\u201cVenas Abiertas\u201d). But again, nothing stops La Plebe from promoting hope and celebrating life just like in their opening track, \u201cSiempre Unidos\u201d, a mariachi-infused punk rock anthem.\u00a0 The music is as hard as it should be but also heavily melodic and memorable.<\/p>\n<p>In these days of downloadable music, one of the forgotten pleasures of owning a physical album is the enjoyment of the artwork, which La Plebe also delivers.\u00a0 Artist Josu\u00e9 Rojas, from the Mission District, provides beautiful mural-style cover art, while the inside flap contains period photographs collected by the band.<\/p>\n<p>There is no doubt that this new recording will more than satisfy La Plebe\u2019s long time fans and bring new ones as well. Their live shows are events not to be missed but listening to \u201cBrazo en Brazo\u201d is as great a time as one can have without being there.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>For the San Francisco-based band, La Plebe, which means \u201cthe people\u201d in Spanish, was a special occasion \u2013 their fifth and most ambitious album \u201cBrazo en Brazo\u201d was being released the following week on CD.<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"newspack_popups_has_disabled_popups":false,"newspack_featured_image_position":"","newspack_post_subtitle":"","newspack_article_summary_title":"Overview:","newspack_article_summary":"","newspack_hide_updated_date":false,"newspack_show_updated_date":false,"footnotes":""},"categories":[7],"tags":[796,794,195],"coauthors":[],"class_list":["post-6662","post","type-post","status-publish","format-standard","hentry","category-news","tag-brazo-en-brazo","tag-la-plebe","tag-music","entry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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