{"id":63020,"date":"2024-11-01T06:00:00","date_gmt":"2024-11-01T13:00:00","guid":{"rendered":"https:\/\/eltecolote.org\/content\/?p=63020"},"modified":"2024-11-01T11:56:26","modified_gmt":"2024-11-01T18:56:26","slug":"sf-dia-de-los-muertos-altar-palestine","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/en\/sf-dia-de-los-muertos-altar-palestine\/","title":{"rendered":"San Francisco D\u00eda de los Muertos altars honor Palestinian grief and resilience"},"content":{"rendered":"\n

Building D\u00eda de los Muertos altars in solidarity with Palestine invites us not only to remember the over 43,000 lives lost in Gaza but also to create a space that refuses to separate past and present, grief and resilience, San Francisco and Gaza. Under the theme Bearing Witness: An Expression of Solidarity, Love, and Justice for Palestine<\/em>, this year\u2019s D\u00eda de los Muertos exhibition at SOMArts encourages viewers to move beyond the overwhelm of ongoing war, allowing grief to transform into resistance and hope. <\/p>\n\n\n\n

\u201cCare is justice at this point. I don\u2019t think there is a way to separate them,\u201d said Mission artist-activist Rio Ya\u00f1ez, who co-curated the exhibition with Bridg\u00e8tt Rex. Together, they selected approximately 18 finalists from a record-breaking 89 proposals for altar designs. Artists range from individuals or collaborative pairs to entire families. The exhibition makes room for it all \u2014 brokenheartedness, rage, and senseless loss, but also the resilience, play, and beauty of a people and culture who refuse to be defined by their suffering.<\/p>\n\n\n\n

\u201cIt is a struggle to find people and galleries who will take Palestinian work,\u201d said Palestinian artist Ren Allathkani. \u201cSince the genocide began, I couldn\u2019t talk about my culture at all.\u201d Her altar includes traditional tatreez (embroidery) on painted canvas, one depicting a Palestinian woman gathering wheat, another showing children playing in the sea. \u201cWhen everything else is getting bombed, they can\u2019t take away the ocean.\u201d<\/p>\n\n\n\n

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Silhouettes of attendees gather in reflection at SOMArts\u2019 D\u00eda de los Muertos exhibition, themed Bearing Witness: An Expression of Solidarity, Love, and Justice for Palestine, in San Francisco, Calif., on Oct. 14, 2024. Photo: Pablo Unzueta for El Tecolote\/CatchLight Local<\/figcaption><\/figure>\n\n\n\n

\u201cPlay is not trivial,\u201d said Dania Cabello, whose altar is made up of a pyramid of soccer balls. \u201cIt is as important as breathing and eating.\u201d She describes the images that have been seen throughout the media of children finding a way to play, not in a rigid two-hour block after school for soccer practice, but instead building kites, dancing, or creatively employing fallen telephone wires for their games. \u201cPlay is often seen as a luxury, but it is truly fundamental and we need it to live,\u201d Cabello added.<\/p>\n\n\n\n

Palestinian identity and ethnicity are \u201cbeing erased in all forms of existence,\u201d said Allathkani. The D\u00eda de los Muertos exhibition is a resounding objection to any such attempt. Marigolds and candles adorn altars alongside bowls of keys, bottles of olive oil, and offerings of zaatar \u2014 a blend of tradition and solidarity.<\/p>\n\n\n\n

\u201cIt\u2019s dangerous and beautiful work,\u201d said contributing artist Beth Benson. Ya\u00f1ez\u2019s father, Ren\u00e9 Ya\u00f1ez, was the founding curator of the D\u00eda de los Muertos exhibition. A lynchpin of the Mission community, he was a cofounder of Galer\u00eda de la Raza and a leader within the Bay Area Chicano arts movement and the Mission Cultural Center, among other spaces. \u201cHe is the one who really started to push artists,\u201d said Jos Sances, a close friend of Ya\u00f1ez and a currently exhibiting artist. \u201cFor Rio [Ren\u00e9\u2019s son] to do this show for Palestine is bold and principled. His dad would be proud.\u201d<\/p>\n\n\n\n

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Dania Cabello\u2019s pyramid of soccer balls represents the resilience of Palestinian children, who continue to find ways to play amid hardship, displayed at SOMArts\u2019 D\u00eda de los Muertos exhibition, themed Bearing Witness: An Expression of Solidarity, Love, and Justice for Palestine, in San Francisco, Calif., on Oct. 14, 2024. Photo: Pablo Unzueta for El Tecolote\/CatchLight Local<\/figcaption><\/figure>\n\n\n\n

In a world inundated with digital media, \u201cthere is real power in being able to see a work of art and not have it be through a screen,\u201d said Ya\u00f1ez. The exhibition takes full advantage of this, with installations inviting not only viewing but participation. At one altar, viewers are invited to write messages of hope on strips of cloth and weave them into a larger hung fabric punctured with holes. This act of makeshift mending, both symbolic and literal, challenges viewers to hold the tension of interconnectedness between the local and global, shared suffering and collective hope.<\/p>\n\n\n\n

\u201cWhen we have a broken heart, it\u2019s the same rhythm but a different song,\u201d said artist Adri\u00e1n Arias. His altar, a collaboration with musician Ana\u00eds Azul, features an anatomical heart painted across three panels, forming an intimate room. In its center rests a stethoscope and a booklet. \u201cFor me, the sound of the heart is very important. It is a musical rhythm. It is what keeps me alive,\u201d he says. Visitors are invited to place the stethoscope on their own hearts, letting their pulse add a visceral rhythm to their viewing.<\/p>\n\n\n\n

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Opening reception of SOMArts\u2019 D\u00eda de Los Muertos event, themed ‘Bearing Witness’ in solidarity with Palestine, San Francisco, Calif., Oct. 14, 2024. Photo by Pablo Unzueta for El Tecolote\/CatchLight Local<\/figcaption><\/figure>\n\n\n\n

\u201cThis show has always been about embracing a diverse view about what it means to create an altar for someone who has passed away,\u201d said Ya\u00f1ez.  \u201cDiverse in creative approach and diverse in the artists that make them, and I wouldn\u2019t want it any other way.\u201d<\/p>\n\n\n\n

And that seems to be just what he, Bridg\u00e8tt, and SOMArts have collaborated to create \u2014 a space where anyone is invited to put back together that which has been broken, to pause long enough to hear their own heartbeats, to realize this pulse is somehow connected to the smile of unconditional love spilling forth from the altar featuring the portrait of Cecil Williams, the beloved late reverend of the Tenderloin\u2019s Glide Church. It is connected to the eyes of the Palestinian journalist in the photo at the neighboring altar, and it is connected to every soccer ball in the pyramid that stretches skyward to honor loved ones in a way reminiscent of the original pyramids, tombs for the Gods. This recognition, and the mere willingness to pause for a moment to visit this exhibition, is a resistance to the pull of rush within a city that often moves at a speed which threatens to outpace compassion. Instead, viewers of this exhibition do not rush forward, but gaze back at our ancestors and inward to the ancestors we are becoming.<\/p>\n\n\n\n

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A portrait of Shireen Abu Akleh, the Palestinian-American Al Jazeera journalist who was shot by Israeli forces last year, is displayed at SOMArts\u2019 D\u00eda de los Muertos exhibition, themed Bearing Witness: An Expression of Solidarity, Love, and Justice for Palestine, in San Francisco, Calif., on Oct. 14, 2024. Photo: Pablo Unzueta for El Tecolote\/CatchLight Local<\/figcaption><\/figure>\n\n\n\n
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Opening reception of SOMArts\u2019 D\u00eda de Los Muertos event, themed ‘Bearing Witness’ in solidarity with Palestine, San Francisco, Calif., Oct. 14, 2024. Photo by Pablo Unzueta for El Tecolote\/CatchLight Local<\/figcaption><\/figure>\n\n\n\n
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Yaffa AS\u2019s art installation that captures the traditional Palestinian seating arrangement, frozen in time, during the opening reception of the SOMArts\u2019 D\u00eda de Los Muertos event with this year\u2019s theme being, \u201cBearing Witness,\u201d an expression of solidarity with Palestine, in San Francisco, Calif., on Oct. 14, 2024. Photo: Pablo Unzueta for El Tecolote\/CatchLight Local<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

The SOMArts altar exhibition encourages people to move beyond the overwhelm of ongoing war, allowing grief to transform into a deeper resilience and hope.<\/p>\n","protected":false},"author":88922,"featured_media":63031,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"newspack_popups_has_disabled_popups":false,"newspack_featured_image_position":"large","newspack_post_subtitle":"","newspack_article_summary_title":"Overview:","newspack_article_summary":"","newspack_hide_updated_date":false,"newspack_show_updated_date":false,"footnotes":""},"categories":[25071],"tags":[],"coauthors":[25260],"class_list":["post-63020","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture-en","entry"],"yoast_head":"\nSan Francisco D\u00eda de los Muertos altars honor Palestinian grief and resilience - El Tecolote<\/title>\n<meta name=\"description\" content=\"The SOMArts altar exhibition encourages allows people to transform grief into a deeper resilience: one of hope and resistance.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/eltecolote.org\/content\/en\/sf-dia-de-los-muertos-altar-palestine\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"San Francisco D\u00eda de los Muertos altars honor Palestinian grief and resilience - 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