{"id":62982,"date":"2024-10-31T15:34:50","date_gmt":"2024-10-31T22:34:50","guid":{"rendered":"https:\/\/eltecolote.org\/content\/?p=62982"},"modified":"2024-11-04T20:30:42","modified_gmt":"2024-11-05T04:30:42","slug":"juana-alicia-artist-mission-muralist","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/en\/juana-alicia-artist-mission-muralist\/","title":{"rendered":"From La Llorona to Gaza: How a Latinx artist challenges the stories we tell"},"content":{"rendered":"\n<p>There is an artistic current running beneath the surface of the Mission District \u2014 and Juana Alicia helped create it. Now splitting her time between Yucatan, M\u00e9xico and the Bay Area, she still sees this historically Latino, working-class neighborhood as foundational to who she is as an artist and person. \u201cI spent so much of my life on those walls and streets,\u201d she says. The neighborhood is better for it, with her vibrant murals challenging viewers to reconsider the stories that shape who we are.<\/p>\n\n\n\n<p>You don\u2019t have to go far to see this work in action, just pause at the corner of York and 24th to take in the vast blue mural of La Llorona. Typically feared as a haunting figure, Juana Alicia reimagines La Llorona as a protector to the vulnerable and marginalized. She is pictured alongside women from Bolivia and India, a symbol of unity between the seemingly disparate. In Juana Alicia\u2019s alternative tellings, the stories that define us are transformed into tools of empowerment.<\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/eltecolote.org\/content\/es\/juana-alicia-artista-mision-muralista\/\"><em>Lea esta historia en espa\u00f1ol.<\/em><\/a><\/p>\n\n\n\n<p>Juana Alicia turns familiar narratives upside down, seeking to create a new \u201cvisual language and vocabulary.\u201d With her paintbrush, she invites us into new ways of seeing ourselves, each other, and the world. As an artist, teacher, and mother, she views her work as \u201ccitizen-making,\u201d shaping individuals who question harmful stories\u2014especially those casting women and immigrants as victims or villains. Instead, she paints women as \u201cempowered protectors and warriors of justice,\u201d grounded in the truth of our interconnection.<\/p>\n\n\n\n<p>Juana Alicia\u2019s work poses the question: What if the true myths aren\u2019t about haunting spirits but about our disconnection from the land and from each other?<\/p>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"399\" src=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2024\/10\/10252024-JUANAMURAL-ET-PU-4.jpg?resize=600%2C399&#038;quality=89&#038;ssl=1\" alt=\"\" class=\"wp-image-62984\" srcset=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2024\/10\/10252024-JUANAMURAL-ET-PU-4.jpg?resize=600%2C399&amp;quality=89&amp;ssl=1 600w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2024\/10\/10252024-JUANAMURAL-ET-PU-4.jpg?resize=360%2C239&amp;quality=89&amp;ssl=1 360w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2024\/10\/10252024-JUANAMURAL-ET-PU-4.jpg?resize=768%2C511&amp;quality=89&amp;ssl=1 768w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2024\/10\/10252024-JUANAMURAL-ET-PU-4.jpg?resize=1024%2C681&amp;quality=89&amp;ssl=1 1024w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2024\/10\/10252024-JUANAMURAL-ET-PU-4.jpg?resize=400%2C266&amp;quality=89&amp;ssl=1 400w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2024\/10\/10252024-JUANAMURAL-ET-PU-4.jpg?w=1200&amp;quality=89&amp;ssl=1 1200w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">A man passes Juana Alicia\u2019s La Llorona mural in San Francisco\u2019s Mission District on Oct. 25, 2024. Photo by Pablo Unzueta for El Tecolote\/CatchLight Local<\/figcaption><\/figure>\n\n\n\n<p>For Juana Alicia, everything is linked \u2014 her Mission District murals, the cenotes of Yucatan, and global conflicts like those in Gaza. Each holds its own context, yet all are tied by a common thread of destruction to land, culture and life. Of Chicana-Jewish background, Juana Alicia knows and feels this in painfully visceral ways. \u201cI can\u2019t tolerate or live with [what is happening in] Gaza,\u201d she says, Her latest piece, <em><a href=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2024\/10\/NEW_NOT.jpg\">Not in Our Name<\/a><\/em>, inspired by K\u00e4the Kollwitz\u2019s <em>The Mothers<\/em>, speaks directly to the atrocities unfolding in Palestine.<\/p>\n\n\n\n<p>From gentrification to war to the daily microaggressions women endure, Juana Alicia\u2019s art surfaces both suffering and resistance, urging a more united response. The underground rivers of Yucatan, threatened by government-permitted waste dumping, represent both the beauty at risk and the source of strength that will sustain us in acts of resistance.&nbsp;<\/p>\n\n\n\n<p>Juana Alicia\u2019s latest exhibition, <em>Cenote de Sue\u00f1os, <\/em>opened in Sonoma Valley Museum of Art on September 21st and spans different eras of her prolific career. Juana Alicia imagines a world where cenotes\u2014life-giving underground pools\u2014are \u201ccontrolled by the local pueblo\u201d and symbolize a return to partnerships with the land and each other, instead of relationships marked by extraction or exploitation.<\/p>\n\n\n\n<p>There are moments where such dreams feel aspirational, but that is why we need our underground r\u00edos. We need their currents of poetry, music, teatro, and art.&nbsp; Juana Alicia\u2019s murals remind us that alternative ways of living aren\u2019t just dreams \u2014 they\u2019re realities waiting to be realized in the streets we walk every day.<\/p>\n\n\n\n<figure class=\"wp-block-image alignfull size-large\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2024\/10\/NEW_NOT.jpg\" alt=\"\"\/><figcaption class=\"wp-element-caption\">Juana Alicia\u2019s latest piece, <em>Not in Our Name<\/em> speaks directly to the atrocities unfolding in Palestine. Art: Juana Alicia<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Renowned artist and muralist Juana Alicia turns familiar narratives upside down in San Francisco\u2019s Mission and beyond.<\/p>\n","protected":false},"author":88922,"featured_media":62989,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"newspack_popups_has_disabled_popups":false,"newspack_featured_image_position":"above","newspack_post_subtitle":"","newspack_article_summary_title":"Overview:","newspack_article_summary":"","newspack_hide_updated_date":false,"newspack_show_updated_date":false,"footnotes":""},"categories":[7],"tags":[],"coauthors":[25260],"class_list":["post-62982","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","entry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>From La Llorona 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