{"id":62571,"date":"2024-09-26T15:55:45","date_gmt":"2024-09-26T22:55:45","guid":{"rendered":"https:\/\/eltecolote.org\/content\/?p=62571"},"modified":"2024-10-21T13:53:29","modified_gmt":"2024-10-21T20:53:29","slug":"sf-art-exhibition-pablo-unzueta","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/en\/sf-art-exhibition-pablo-unzueta\/","title":{"rendered":"Pablo Unzueta\u2019s first S.F. art exhibition shows how two communities process trauma"},"content":{"rendered":"\n<p>When photojournalist Pablo Unzueta traveled to Chile in 2017, he was on a journey to reconnect with his father and heritage. On the way, he found a community still grappling with the trauma of the country&#8217;s military dictatorship \u2014 a shared story of pain that would inspire his debut photography exhibition, <em>The Memory of Our Skin<\/em>.<\/p>\n\n\n\n<p>Currently on display at Acci\u00f3n Latina\u2019s Juan Fuentes gallery, The Memory of Our Skin explores how people in Santiago, Chile, and Half Moon Bay, California, process collective trauma. Through 20 black-and-white photographs, Unzueta highlights the memories of violence in both communities: the 1973 Chilean military coup and the 2023 farm shootings in Half Moon Bay. His work documents how these communities process painful pasts while finding solace and healing in shared grief.<\/p>\n\n\n\n<p>\u201cWhat I have is an accumulation of stories that really focus on how the dictatorship psychologically, mentally and spiritually scarred the Chilean people,\u201d Unzueta said. \u201cAnd I think it really intersects with the work that I&#8217;ve been doing for the past ten years here [in California].&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed alignfull is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Memory of Our Skin: How two communities process trauma\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/za-3W6XV-08?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>His photographs capture moments of deep emotion: a son comforting his mother after the Half Moon Bay shootings, mourners holding vigils for the disappeared at Santiago\u2019s General Cemetery and everyday people coping with grief through gardening and art. He captures both protests and quiet remembrances, portraying how grief is expressed and shared across borders.<\/p>\n\n\n\n<p>\u201cI want people to connect with [the photos] not in a way where they feel like they&#8217;re an outsider to the work,\u201d Unzueta said. \u201cI want them to feel like they belong in these walls as well. Like they have a shared connection with the people in those photographs.\u201d<\/p>\n\n\n\n<p>Unzueta sees this exhibition as two communities talking to each other, sharing wisdom on ways to process grief. In Chile, he depicts a community that has fought for years to resist the state\u2019s repression of memories. In Half Moon Bay, he shows a community that is taking a moment to reckon with the recent trauma they\u2019ve faced, something that he hasn\u2019t found commonly in American society.<\/p>\n\n\n\n<p>\u201cI think here in the United States we don&#8217;t really have a full grasp of processing trauma. It&#8217;s from one thing to the next,\u201d he said. \u201cWith this exhibition, I wanted to bring that to light.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-image alignfull size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"400\" src=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2024\/09\/2024-THEMEMORYOFOURSKIN-EDIT-ET-PU-7.jpg?resize=600%2C400&#038;quality=89&#038;ssl=1\" alt=\"\" class=\"wp-image-62545\" srcset=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2024\/09\/2024-THEMEMORYOFOURSKIN-EDIT-ET-PU-7.jpg?resize=600%2C400&amp;quality=89&amp;ssl=1 600w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2024\/09\/2024-THEMEMORYOFOURSKIN-EDIT-ET-PU-7.jpg?resize=360%2C240&amp;quality=89&amp;ssl=1 360w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2024\/09\/2024-THEMEMORYOFOURSKIN-EDIT-ET-PU-7.jpg?resize=768%2C512&amp;quality=89&amp;ssl=1 768w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2024\/09\/2024-THEMEMORYOFOURSKIN-EDIT-ET-PU-7.jpg?resize=1536%2C1024&amp;quality=89&amp;ssl=1 1536w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2024\/09\/2024-THEMEMORYOFOURSKIN-EDIT-ET-PU-7.jpg?resize=1200%2C800&amp;quality=89&amp;ssl=1 1200w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2024\/09\/2024-THEMEMORYOFOURSKIN-EDIT-ET-PU-7.jpg?resize=1024%2C683&amp;quality=89&amp;ssl=1 1024w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2024\/09\/2024-THEMEMORYOFOURSKIN-EDIT-ET-PU-7.jpg?resize=1568%2C1045&amp;quality=89&amp;ssl=1 1568w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2024\/09\/2024-THEMEMORYOFOURSKIN-EDIT-ET-PU-7.jpg?resize=400%2C267&amp;quality=89&amp;ssl=1 400w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2024\/09\/2024-THEMEMORYOFOURSKIN-EDIT-ET-PU-7.jpg?w=1800&amp;quality=89&amp;ssl=1 1800w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption class=\"wp-element-caption\">People gather inside the General Cemetery in Santiago, Chile, on Sept. 10, 2023, to honor those who disappeared during the dictatorship. Photo: Pablo Unzueta for El Tecolote\/CatchLight Local<\/figcaption><\/figure>\n\n\n\n<p>Unzueta has been a photojournalist since he was 17, following a family lineage of artists and photographers. He says that as he\u2019s matured, he\u2019s become more intentional about how he captures stories, focusing on building relationships with the people in his work, avoiding a detached, voyeuristic lens.<\/p>\n\n\n\n<p>\u201cI&#8217;m 30 now and I think I just feel like I have more of a responsibility when I am out in the world with the intention of photographing people,\u201d Unzueta said. \u201cI want it to be more collaborative.\u201d<\/p>\n\n\n\n<p>For Unzueta,<em> The Memory of Our Skin<\/em> is deeply personal, reflecting both his family\u2019s migration story and the broader patterns of displacement and trauma across Latin America. The<em> <\/em>art exhibition<em> <\/em>is the first iteration of a long-term project documenting Chile\u2019s reckoning with its violent past, a memento that he one day hopes to share with his future children.<\/p>\n\n\n\n<p>&nbsp;\u201cIf it weren&#8217;t for the dictatorship, I would still be in Chile,\u201d Unzueta said. \u201cSo I really think about that. All of these migration patterns. [This project], it\u2019s the preservation of life, my history. I think that&#8217;s very important.\u201d&nbsp;<\/p>\n\n\n\n<p><em><a href=\"https:\/\/eltecolote.org\/content\/en\/the-memory-of-our-skin\/\">The Memory of Our Skin<\/a> is on display at Acci\u00f3n Latina\u2019s Juan Fuentes Gallery until November 8, open to the public on weekdays from 10:00 a.m. to 5:00 p.m.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Memory of Our Skin explores how people in Santiago, Chile and Half Moon Bay, California process collective trauma. <\/p>\n","protected":false},"author":88936,"featured_media":62544,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"newspack_popups_has_disabled_popups":false,"newspack_featured_image_position":"large","newspack_post_subtitle":"","newspack_article_summary_title":"Overview:","newspack_article_summary":"","newspack_hide_updated_date":false,"newspack_show_updated_date":false,"footnotes":""},"categories":[25233,25231],"tags":[],"coauthors":[25250],"class_list":["post-62571","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-show","category-juan-r-fuentes-gallery","entry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>SF art exhibition shows how two communities process trauma<\/title>\n<meta name=\"description\" content=\"Photojournalist Pablo Unzueta\u2019s first art exhibition in San Francisco, The Memory of Our Skin, connects two distinct communities: One in Half Moon Bay and the other in Santiago, Chile.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/eltecolote.org\/content\/en\/sf-art-exhibition-pablo-unzueta\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SF art exhibition shows how two communities process trauma\" \/>\n<meta property=\"og:description\" content=\"Photojournalist Pablo Unzueta\u2019s first art exhibition in San Francisco, The Memory of Our Skin, connects two distinct communities: One in Half Moon Bay and the other in Santiago, Chile.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/eltecolote.org\/content\/en\/sf-art-exhibition-pablo-unzueta\/\" \/>\n<meta property=\"og:site_name\" content=\"El Tecolote\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/ElTecoloteSF\/\" \/>\n<meta property=\"article:published_time\" content=\"2024-09-26T22:55:45+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-10-21T20:53:29+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/eltecolote.org\/content\/wp-content\/uploads\/2024\/09\/2024-THEMEMORYOFOURSKIN-EDIT-ET-PU-40.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2000\" \/>\n\t<meta property=\"og:image:height\" content=\"1333\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Mariana Duran\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@eltecolotesf\" \/>\n<meta name=\"twitter:site\" content=\"@eltecolotesf\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Mariana Duran\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"NewsArticle\",\"@id\":\"https:\\\/\\\/eltecolote.org\\\/content\\\/en\\\/sf-art-exhibition-pablo-unzueta\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/eltecolote.org\\\/content\\\/en\\\/sf-art-exhibition-pablo-unzueta\\\/\"},\"author\":{\"name\":\"Mariana Duran\",\"@id\":\"https:\\\/\\\/eltecolote.org\\\/content\\\/#\\\/schema\\\/person\\\/6371398a8ea80d95d155b0239f4479dd\"},\"headline\":\"Pablo Unzueta\u2019s first S.F. art exhibition shows how two communities process trauma\",\"datePublished\":\"2024-09-26T22:55:45+00:00\",\"dateModified\":\"2024-10-21T20:53:29+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/eltecolote.org\\\/content\\\/en\\\/sf-art-exhibition-pablo-unzueta\\\/\"},\"wordCount\":656,\"publisher\":{\"@id\":\"https:\\\/\\\/eltecolote.org\\\/content\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/eltecolote.org\\\/content\\\/en\\\/sf-art-exhibition-pablo-unzueta\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/i0.wp.com\\\/eltecolote.org\\\/content\\\/wp-content\\\/uploads\\\/2024\\\/09\\\/2024-THEMEMORYOFOURSKIN-EDIT-ET-PU-40.jpg?fit=2000%2C1333&quality=89&ssl=1\",\"articleSection\":[\"Art Show\",\"Juan R. 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