{"id":5260,"date":"2010-09-08T13:08:03","date_gmt":"2010-09-08T20:08:03","guid":{"rendered":"http:\/\/eltecolote.org\/content\/?p=5260"},"modified":"2010-09-10T17:18:22","modified_gmt":"2010-09-11T00:18:22","slug":"tijuana-band-blends-border-music-with-technology","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/en\/tijuana-band-blends-border-music-with-technology\/","title":{"rendered":"Tijuana band blends border music with technology"},"content":{"rendered":"<p style=\"text-align: center;\">\n<figure id=\"attachment_5261\" aria-describedby=\"caption-attachment-5261\" style=\"width: 480px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/09\/bostich%2Bfussible%2B8-261.jpg?quality=89&#038;ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-5261   \" title=\"Photo courtesy Colectivo Nortec, Cookman MGMT\" src=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/09\/bostich%2Bfussible%2B8-261.jpg?resize=480%2C321&#038;quality=89&#038;ssl=1\" alt=\"\" width=\"480\" height=\"321\" srcset=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/09\/bostich%2Bfussible%2B8-261.jpg?w=600&amp;quality=89&amp;ssl=1 600w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/09\/bostich%2Bfussible%2B8-261.jpg?resize=360%2C240&amp;quality=89&amp;ssl=1 360w\" sizes=\"auto, (max-width: 480px) 100vw, 480px\" \/><\/a><figcaption id=\"caption-attachment-5261\" class=\"wp-caption-text\">Bostich + Fussible, members of Tijuana\u2019s Nortec Collective, presented their new work in San Francisco, a \u201csound that started with banda and tambora and now incoporates new technology.\u201d Photo courtesy Nortec Collective, Cookman MGMT <\/figcaption><\/figure>\n<p>On Aug. 28, the Tijuana-based Nortec Collective featured two of its members, Bostich + Fussible, at <a href=\"http:\/\/www.theindependentsf.com\/\">The Independent<\/a> in San Francisco as part of their 2010 tour, coinciding with the release of their new album, Boulevard 2000.<\/p>\n<p>Ramon Amezcua, aka Bostich, stated, \u201cBoulevard 2000 is a very important album because it represents this journey of Fussible + Bostich, and shows the evolution of the sound that started with banda and tambora, and now incorporates new technology.\u201d<\/p>\n<p>Nortec Collective was formed as the union of several individual projects that merge electronic music with music of northern Mexico \u2014 banda and norte\u00f1a. The group \u2014 which is comprised of Fussible (Pepe Mogt), Bostich (Ram\u00f3n Amezcua), Hiperboreal (Pedro Gabriel Beas) and Clorofila (Jorge Verdin) \u2014 captures, creates and represents an audiovisual record of Tijuana\u2019s often-marginalized subcultures.<\/p>\n<p>Amezcua and Mogt grew up listening to electronic music, on the radio and through record stores on the other side of the border. \u201cThe fact of living on the border gave us access to this music.  Norte\u00f1a and tambora is what\u2019s heard on the street, in taxis, on the avenues, at home with the family &#8230; and the truth is we were not immersed in that music,\u201d said Mogt.<\/p>\n<figure id=\"attachment_5252\" aria-describedby=\"caption-attachment-5252\" style=\"width: 216px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.vimeo.com\/14603741\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-5252 \" title=\"Webos TV\" src=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/09\/logowebosRGB.jpg?resize=216%2C124&#038;quality=89&#038;ssl=1\" alt=\"\" width=\"216\" height=\"124\" \/><\/a><figcaption id=\"caption-attachment-5252\" class=\"wp-caption-text\">Click image to watch a video interview with Bostich + Fussible. This project is a collaboration between El Tecolote and Webos TV.<\/figcaption><\/figure>\n<p>After seven years in which recycling sounds in the border city was nothing more than a hobby among friends, Mogt and Amezcua decided to form the label Mil Records in 1999, producing the album Nortec Sampler.<\/p>\n<p>The release of Tijuana Sessions, Vol. 1 in 2001 turned Nortec Collective into a symbol that represents the life and culture of northern Mexico. The collection of songs is characterized by the blending of electronic beats with accordions, brass, vocals and tarolas (a type of drum).<\/p>\n<p>Through the years, their concept of music developed and the recycling of sounds began to merge with pieces of norte\u00f1a songs recorded in a studio in Coahuila (a red-light district of Tijuana), giving it the unique Nortec flavor. \u201cWhen we create our music, sometimes ideas emerge from songs that we heard in the 80\u2019s, from techno-pop or from a song by Los Tigres del Norte,\u201d said Amezcua.<\/p>\n<p>The album Tijuana Sessions, Vol. 3, produced by Nacional Records, was nominated in 2006 for two Latin Grammys. The group was nominated again in 2008 for Nortec Collective Presents:\u00a0Bostich+Fussible, Tijuana Sound Machine.<\/p>\n<p>And after 11 years, Nortec Collective still has a great drawing power. Their concert in San Francisco was packed. The audience was receptive and devoted, and the fans danced, jumped and sang all night.<\/p>\n<p>As electronic musicians, Fussible + Bostich work with synthesizers, drum machines, analogue instruments, new technologies such as the I-pad and the Tenori-On, a visual device that in the words of Amezcua \u201callows people to see how sequences go and how a song is put together live, giving the opportunity to fuse together the acoustic instruments.\u201d<\/p>\n<p style=\"text-align: center;\">\n<figure id=\"attachment_5262\" aria-describedby=\"caption-attachment-5262\" style=\"width: 336px\" class=\"wp-caption aligncenter\"><a rel=\"attachment wp-att-5262\" href=\"https:\/\/eltecolote.org\/content\/2010\/09\/tijuana-band-blends-border-music-with-technology\/bulevar-2000-2\/\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-5262  \" title=\"Photo courtesy Colectivo Nortec, Cookman MGMT\" src=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/09\/Bulevar-20001.jpg?resize=336%2C336&#038;quality=89&#038;ssl=1\" alt=\"\" width=\"336\" height=\"336\" srcset=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/09\/Bulevar-20001.jpg?resize=480%2C480&amp;quality=89&amp;ssl=1 480w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/09\/Bulevar-20001.jpg?resize=300%2C300&amp;quality=89&amp;ssl=1 300w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/09\/Bulevar-20001.jpg?resize=100%2C100&amp;quality=89&amp;ssl=1 100w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/09\/Bulevar-20001.jpg?resize=250%2C250&amp;quality=89&amp;ssl=1 250w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2010\/09\/Bulevar-20001.jpg?w=500&amp;quality=89&amp;ssl=1 500w\" sizes=\"auto, (max-width: 336px) 100vw, 336px\" \/><\/a><figcaption id=\"caption-attachment-5262\" class=\"wp-caption-text\">Cover Art for: Nortec Collective Presente: Bostich + Fussible | Bulevar 2000. Photo courtesy Nortec Collective, Cookman MGMT<\/figcaption><\/figure>\n<p>The album Boulevard 2000, which goes on sale Sept. 14, comes from the name of a street in Tijuana, which was built with a vision towards the future, making itself a symbol of the city. The album fuses the violent reality of those who live in that area with the hopefulness of a forward-looking vision.<\/p>\n<p>Nortec albums always tell a story, and the new album continues with the theme of Tijuana Sound Machine, showing a car traveling on the new and dangerous avenue that has seen many murders related to drug trafficking.<\/p>\n<p>The first single is entitled \u201cI Count The Ways\u201d, with vocals by Kylee Swenson of Loquat, the local electro-pop group that opened the show at The Independent. This single was the hit of the night, revealing the musical path and maturity of Nortec. Kylee adds a seventies disco sound, and the beats, a fusion of electro-pop and banda, create a seamless integration of rhythms.<\/p>\n<p>Nortec reflects patterns of immigration, whether from the Americas, Africa or Europe, integrating, in addition to the accordion, instruments like trumpet and tuba, played by Gustavo Medina.<\/p>\n<p>Medina is an essential element of Nortec, representing the connection to the ancestral past, and in making the trumpet a lead instrument, gives a unique and fundamental direction to the songs.<\/p>\n<p>The team of graphic designers and the visual presentation that accompanies Nortec Collective performances project both subtle and obvious images from different locations in Tijuana and present social issues such as labor practices in sweatshops, prostitution, immigration or the protection of the environment.<\/p>\n<p>\u201c[The images] show what life is like in Tijuana, and that which once was regarded as grotesque and even shameful, has been given an aesthetic [through the video clips] that, finally, Tijuana culture has a lot from which to draw its inspiration as a border city,\u201d said Amezcua.<\/p>\n<p>For Mogt they reflect the \u201crange of colors, of lights, the DJ in the cage that insults customers, and the girls dancing, creating a visual record interpreted by the music.\u201d<\/p>\n<p>As they combine the rhythms and visual components, Bostich + Fussible remind us that culture is porous, and that art and music transcend borders.<\/p>\n<p>Nortec Collective is a pair of eyes and ears at the border, telling stories and metaphors with their music and linking the past with the future.<\/p>\n<p><em>After San Francisco, Bostich + Fussible will continue their tour in Guadalajara, Mexico City, Shanghai, England, Switzerland, France and other European countries. The new album is now available on Itunes. Visit <a href=\"http:\/\/soundcloud.com\/pepemogt\">http:\/\/soundcloud.com\/pepemogt<\/a> to download songs for free and <a href=\"http:\/\/www.milrecords.com\">http:\/\/www.milrecords.com<\/a> for information on the tour.<\/em><\/p>\n<p>\u2014Translation Thomas Mayock<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nortec Collective recycles sounds, for social commentary<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"newspack_popups_has_disabled_popups":false,"newspack_featured_image_position":"","newspack_post_subtitle":"","newspack_article_summary_title":"Overview:","newspack_article_summary":"","newspack_hide_updated_date":false,"newspack_show_updated_date":false,"footnotes":""},"categories":[7],"tags":[630,633,195],"coauthors":[18468,18460],"class_list":["post-5260","post","type-post","status-publish","format-standard","hentry","category-news","tag-bostich-fussible","tag-boulevard-2000","tag-music","entry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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