{"id":40581,"date":"2019-05-23T14:44:06","date_gmt":"2019-05-23T21:44:06","guid":{"rendered":"http:\/\/eltecolote.org\/content\/?p=40581"},"modified":"2021-02-20T20:05:17","modified_gmt":"2021-02-21T04:05:17","slug":"a-final-word-on-the-legacy-of-los-siete-de-la-raza","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/en\/a-final-word-on-the-legacy-of-los-siete-de-la-raza\/","title":{"rendered":"A final word on the legacy of Los Siete de la Raza"},"content":{"rendered":"
\"\"<\/a>
Vero Majano speaks in front of a photo projection of Los Siete member Mario Martinez during a celebration honoring Los Siete\u2019s 50th anniversary at Brava Theatre on April 26, 2019. Courtesy: Gooch<\/figcaption><\/figure>\n

<\/b>Spanning 50 years of movement-building, arts and archiving, Vero Majano\u2019s live cinema production, \u201cRemember Los Siete,\u201d is a creative testimony to the beautiful grassroots movement known as Los Siete de la Raza. The Mission-based queer Latina artist\u2019s multidisciplinary production beautifully wove together live-narration, creative remixing of archival video footage and live onstage music from The Comrades to form an experience referred to as live cinema.<\/p>\n

Back In 1969, the Los Siete movement galvanized the Mission community\u2014creating a publication called Basta Ya! and free breakfast program and the free legal clinic known as Raza Centro Legal. It inspired many other social movements and has since entered local legend and lore.<\/p>\n

To Majano, it seems the Los Siete story is something that everyone in the neighborhood has an anecdote about. \u201cSo and so, that\u2019s my uncle \u2026 my Father knew them,\u201d she says, adding,  <\/span>\u201cEverybody bumps into this story. It\u2019s like the Mission creek that\u2019s underneath our feet. It comes up and touches us.\u201d<\/p>\n

Naturally, since it is a story that everyone has a stake in, it would make sense that the whole village partake in its telling. \u201cWith all the collaboration, people will continue to do research and tell the story in different formats,\u201d she says. \u201cThat\u2019s the most exciting part, watching that unfold.\u201d<\/p>\n

In fitting form, this spring witnessed a re-galvanizing, as several community-based groups teamed up to commemorate Los Siete\u2019s 50th anniversary, by producing an array of projects to accompany Majano\u2019s presentation at Brava Theater (April 26-27).<\/p>\n

Acci\u00f3n Latina hosted a Los Siete Exhibition titled \u201c50 Years of Cultura y Resistencia from Los Siete to Today\u201d in it\u2019s Juan R. Fuentes Gallery (April 5 – May 17), which was curated by Fernando Mart\u00ed and featured Yolanda Lopez\u2019s Basta Ya! archive. Paseo Art\u00edstico teamed up with poet Cathy Arellano to produce \u201cPoetry Resistance and Remembrance\u201d at Brava\u2019s Cabaret space (April 13).<\/p>\n

\"\"<\/a>
Oscar Grande of PODER\u2019s Bicis del Pueblo partnered with Shaping San Francisco and Acci\u00f3n Latina to lead a historical, \u201cStrictly Ghetto Property\u201d Bike tour \u2013\u2013 named after and informed by the book on Los Siete by Marjorie Heins. Courtesy: LisaRuth Elliott for Shaping San Francisco<\/figcaption><\/figure>\n

PODER\u2019s \u201cBicis del Pueblo\u201d partnered with Shaping SF and Acci\u00f3n Latina to lead a historical, \u201cStrictly Ghetto Property\u201d Bike tour\u2014which was based on author Marjorie Heins\u2019 1972 book on Los Siete by the same name. And El Tecolote<\/i> has featured a half dozen articles on Los Siete from March to May (the last of which you are now reading).<\/p>\n

Community talks and roundtables were held such as the \u201cWomen of Los Siete de La Raza\u201d talk at the Eric Quesada Center (located at 518 Valencia) with others at the San Francisco Public Library and Acci\u00f3n Latina. A special educational series put together by Eva Martinez (involving Donna Amador, Judy Drummond, Maria Elena Ramirez, Yolanda Lopez and Audelith Martinez) entitled \u201cWomen out in Front!: How the community freed Los Siete de la Raza\u201d (April 18) took place at San Francisco State University\u2019s Leonard Library with help from the College of Ethnic Studies at SF State, involving students and faculty such as professors Jason Ferreira, Katynka Martinez, Simmy Makhejani and Emily \u201cNanea\u201d Renteria.<\/p>\n

Majano even hand-picked a dream team of local musicians dubbed \u201cThe Comrades\u201d to provide the score for her Brava event.<\/p>\n

\u201cI named the band The Comrades because that\u2019s exactly what I need, a good friend on stage with me,\u201d she says, referencing Greg Landau (guitar), Silvestre Martinez (drums\/timbales), Javier Navarrette (congas), Juan Luiz Perez (singer\/multi-instrumentalist), and Ruben Sandoval (trombone\/keyboards). \u201cI couldn\u2019t imagine a better band to do this with.\u201d Scores of community volunteers, friends, artists, activists, OG\u2019s, poets, musicians, students, tiny locas and homies partnered each step of the way to make this series a unique, intergenerational exchange. Brothers Mario and Tony Martinez, the only surviving members of Los Siete, themselves made appearances.<\/p>\n

\u201cThat is the most exciting part of the series,\u201d says Majano. \u201cThe collaborations with all the folks, it just manifested and keeps going, it keeps growing. The series, the art show, youth involvement\u2014it\u2019s right on.\u201d<\/p>\n

\u201cPeople are in this,\u201d she adds. \u201cIt\u2019s subtle, but it\u2019s important to me.\u201d<\/p>\n

\"\"<\/a>
Los Siete brothers, Mario Martinez (left) and Tony Martinez pose for a portrait at Acci\u00f3n Latina on May 9, 2019. Photo: Alexis Terrazas<\/figcaption><\/figure>\n

Regarding her live cinema production, Majano highlighted the interactive dialogue and audience relatability. \u201cI liked the energy at Brava, because in that moment, we unearthed the story collectively. We were all experiencing this at the same time. There\u2019s a connection.\u201d<\/p>\n

Majano is aware of the irony of creating a piece that\u2019s deeply bound to the local Mission experience while simultaneously being inviting to new arrivals. \u201cIt\u2019s a way that we can agree without tension\u2014there\u2019s a lot of tension in the city around who\u2019s legit and who belongs, and it\u2019s good to ask that. But the performance was a moment free from that tension. We could really see each other and witness ourselves in the show. That\u2019s what that means.\u201d<\/p>\n

The story of Los Site is complex, rich and not totally conclusive. There are no neatly tied-up endings or fairy tale finales. Seven young men of Central American descent were accused of a crime they didn\u2019t commit and a whole community came to their defense, becoming more unified because of it.<\/p>\n

The young men themselves had to find ways to go on and live their lives despite having to overcome the obstacles and disruption that accompany a legal battle for their freedom and their lives. Some had to flee the country for their safety, some committed serious crimes after being cleared, others became professors.<\/p>\n

50 years later we can agree that remembering the Los Siete saga is important as we face the similar yet beefed-up challenges of displacement, police brutality and enforced gentrification, only now aided by tech money. In that sense, the story of Los Siete is a perfect allegory for the story of Mission District resiliency and reconciliation.<\/p>\n

In her live cinema production, Majano asks if there\u2019s room for redemption in popular movements. \u201cDoes all power to the people include forgiveness?\u201d 50 years later, that question echoes in our alleys and in our hearts.<\/p>\n

Majano is a true unifier, a Prince (musician) aficionada, a warm homegirl who smiles with her eyes and who greets friends by saying \u201cMission love, baby!\u201d with a  <\/span>distinctive Cali swag. She makes no bones about drawing inspiration from neighborhood stories as told through graffiti. \u201cIn my work, I\u2019m a big fan of taggers like ORFN. I would see his name everywhere.\u201d Though ORFN passed away some years ago, his name is still everywhere\u2014in his handstyle, an added level of respect.<\/p>\n

\u201cI really like that homage to him on the street,\u201d she says. \u201cPeople continue to write his name on the wall.\u201d She contemplates this interplay in her own work. \u201cHe was here, I\u2019m here.\u201d To Majano, the collective memory and memorializing on the streets is seen as an art model. \u201cThat really influences me as an artist\u2014that\u2019s what we\u2019re trying to do as Mission artists.\u201d Speaking on the commemorative package, Majano says: \u201cWhat continues to be successful is the series. I think we succeeded collectively. We did that. We\u2019re going to continue to succeed.\u201d <\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

Spanning 50 years of movement-building, arts and archiving, Vero Majano\u2019s live cinema production, \u201cRemember Los Siete,\u201d is a creative testimony to the beautiful grassroots movement known as Los Siete de la Raza. The Mission-based queer Latina artist\u2019s multidisciplinary production beautifully wove together live-narration, creative remixing of archival video footage and live onstage music from The […]<\/p>\n","protected":false},"author":35,"featured_media":40585,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"newspack_popups_has_disabled_popups":false,"newspack_featured_image_position":"","newspack_post_subtitle":"","newspack_article_summary_title":"Overview:","newspack_article_summary":"","newspack_hide_updated_date":false,"newspack_show_updated_date":false,"footnotes":""},"categories":[3929],"tags":[17646,17846],"coauthors":[18445],"class_list":["post-40581","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-los-siete","tag-vero-majano-en","entry"],"yoast_head":"\nA final word on the legacy of Los Siete de la Raza - El Tecolote<\/title>\n<meta name=\"description\" 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