{"id":40494,"date":"2019-05-09T15:13:23","date_gmt":"2019-05-09T22:13:23","guid":{"rendered":"http:\/\/eltecolote.org\/content\/?p=40494"},"modified":"2019-05-09T15:13:23","modified_gmt":"2019-05-09T22:13:23","slug":"filipinx-and-latinx-artists-explore-transcultural-identity","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/en\/filipinx-and-latinx-artists-explore-transcultural-identity\/","title":{"rendered":"Filipinx and Latinx artists explore transcultural identity"},"content":{"rendered":"
\"\"<\/a>
(From left:) Chelsea \u201cHyphywyphy\u201d Marlayne Calalay, Samantha \u201cSami See\u201d Schilf, and Kate \u201cBeen Milky\u201d Dash pose for a portrait outside of George Washington Elementary in San Francisco, May 5, 2019. Photo: Gabriella Angotti-Jones<\/figcaption><\/figure>\n

<\/b>For Sami Schilf, the Filipino philosophy of \u201cKapwa,\u201d or \u201ctogetherness,\u201d crosses borders. Her mural \u201cKapwa Rising,\u201d which stands atop a Filipino-inspired taqueria in SOMA\u2014which is aptly named Mestiza\u2014would draw comments of familiarity from passersby.<\/p>\n

Zulus have the word \u201cUbuntu,\u201d meaning \u201cI am because we are.\u201d Mayans have \u201cIn Lak\u2019ech,\u201d or\u00a0 <\/span>\u201cI am you, and you are me.\u201d<\/p>\n

\u201cKapwa means \u2018shared identity,\u2019\u201d Shilf said. \u201cIt means, \u2018I exist because you exist.\u2019\u201d<\/p>\n

The mural serves as a smooth transition into Schilf\u2019s curatorial debut: \u201cNew Mestizx,\u201d a new art show to be featured at Acci\u00f3n Latina\u2019s Juan R. Fuentes Gallery. The \u201cx\u201d deflecting the gender binary, Schilf draws her exhibition\u2019s namesake from the book \u201cBorderlands\/La Frontera: The New Mestiza,\u201d by queer feminist Gloria E. Anzald\u00faa.<\/p>\n

\"\"<\/a>
Kate Dash, a mother and photographer, poses for a portrait outside of George Washington Elementary in San Francisco, May 5, 2019. Photo: Gabriella Angotti-Jones.<\/figcaption><\/figure>\n

\u201cThe new Mestiza is a person that has a foot in both worlds, and from this place of in-between,\u201d Schilf said. \u201cBridging cultures, languages, orientations, they are inherently creating something new.\u201d<\/p>\n

As a queer Filipina-American growing up in the Bay Area, Schilf saw little to no representation of people like her in the media. \u201cNew Mestizx\u201d features a collection of works from 12 local artists: the women and the nonbinary and the men, the young and the old.<\/p>\n

\u201cFrom this middle place, you\u2019re pushing back and questioning these binaries,\u201d Schilf said.<\/p>\n

She hopes her exhibit can explore what it\u2019s like for others who are also breaking binaries.<\/p>\n

Kate Dash, 28, is one of them. Her grandmother, who raised her with other relatives while her parents worked and went to school, was largely the maternal figure for her household of 12. Strong-willed, scary, yet humorous and loved, her grandmother was also fiercely independent. She refused to work in a factory and instead sold empanadas, tortas and Filipino desserts to her network of family and friends.<\/p>\n

\"\"<\/a>
Kate \u201cBeen Milky\u201d Dash (left) and Chelsea \u201cHyphywyphy\u201d Marlayne Calalay, pose for a portrait outside of San Francisco\u2019s George Washington Elementary, May 5, 2019. Photo: Gabriella Angotti-Jones.<\/figcaption><\/figure>\n

Dash, now herself a mother of two, is a self-taught film photographer, who commissions portraits to her network of acquaintances.<\/p>\n

For her, breaking boundaries means defying others\u2019 expectations of motherhood.<\/p>\n

\u201cI felt that when I became a mom, I was all of a sudden not sexual. I couldn\u2019t be this person that wants to skate, take photos, do art\u2026 all these things that people don\u2019t associate with motherhood,\u201d Dash said.<\/p>\n

\u201cDo what you want to do and still be a bomb mom,\u201d she concluded.<\/p>\n

Her contribution to the \u201cNew Mestizx\u201d show will be a portrait that is personal to her own motherhood.<\/p>\n

Chelsea Calalay, 24, is also presenting a project related to her grandmother, who raised her next to the slums in the Philippines. It was a life that allowed her to climb trees and ride the occasional water buffalo.<\/p>\n

When she flew to America, her grandmother, who was religious and scared of flying, couldn\u2019t follow. And Calalay couldn\u2019t afford to go back, even when her grandmother passed away.<\/p>\n

\"\"<\/a>
Multi-discipline artist Cecilia Cassandra poses for a portrait in her backyard in San Francisco, May 3, 2019. Photo: Sophia Schultz Rocha<\/figcaption><\/figure>\n

Looking back, she wishes she called more. Her collage\u2014connected to aspects of her grandmother\u2019s personality\u2014is a memorial. She hopes to remind viewers to communicate with their maternal figures.<\/p>\n

\u201cIt took me losing her to realize how much I missed out on doing that,\u201d she said.<\/p>\n

The show, she said, also allows her to reflect on her identity as Mestiza.<\/p>\n

Cecilia Pe\u00f1a Govea, 26, who also identifies as Mestiza, is another artist whose work will draw inspiration from her heritage. Referring to her own parents, who are of Mexican descent, Pe\u00f1a Govea considers herself an \u201chija de la Malinche,\u201d or daughter of Malinche, the Nahua translator and lover to Hernan Cortez, as well as the mother of the first Mestizo child: Martin Cortez.<\/p>\n

\"\"<\/a>
Cecilia Cassandra holds her hand-embroidered piece, \u201cFlores Ben Davis\u201d at her home in San Francisco on May 3, 2019. The bases for these pieces are Ben Davis work shirts, inspired by the ones her father wore throughout her childhood. Cassandra shared in her artist statement: \u201cthe beadwork on each shirt took around 80 hours to complete, which is an act that functions as an homage to the working person, an acknowledgement to the long hard hours that workers put in, and an offering to the wearer of the shirt. I grew up understanding that there are work clothes and there are going out clothes, so I wanted to create a piece that challenged that notion.\u201d Photo: Sophia Schultz Rocha<\/figcaption><\/figure>\n

While Malinche is blamed by many for the downfall of her own people, the Aztecs, Pe\u00f1a Govea found in her research that actually Malinche was sold by her family to a group that sold her to Cortez.<\/p>\n

\u201cIt just goes to speak about the violence\u2014both [the] gender violence in that time and the racial violence of colonialism and conquest,\u201d Pe\u00f1a Govea said.<\/p>\n

\"\"<\/a>
Cecilia Cassandra works on her embroidered art piece, \u201cHija de La Malinche\u201d while in her San Francisco backyard on May 3, 2019. Photo: Sophia Schultz Rocha<\/figcaption><\/figure>\n

She teaches music with San Francisco Unified School District\u2019s mariachi program and is a teaching artist for SFJazz, while being a music analyst for Pandora Radio and the vocal director of Community Music Center\u2019s Young Musician\u2019s Program.<\/p>\n

Still, she will be dedicating two embroidered shirts, each taking some 100 hours of work, to \u201cNew Mestizx.\u201d<\/p>\n

\u201cThe overall intent and message behind the show is very powerful,\u201d Pe\u00f1a Govea said. \u201cI think the Juan Fuentes gallery is very powerful for the community because there\u2019s not too many spaces that prioritize showing the work of local artists.\u201d<\/p>\n

\u201cNew Mestizx\u201d opens on Friday, May 24 and will run through June 15. The opening reception will be from 6 p.m. – 9 p.m. at Acci\u00f3n Latina\u2019s Juan R. Fuentes Gallery, at 2958 24th Street. Presented by the Asian Pacific Islander Cultural Center in partnership with Grants for the Arts and the San Francisco Arts Commission, the exhibit will include art from:\u00a0 <\/span>Alyssa Aviles, Cecilia Cassandra Pe\u00f1a-Govea, Harvey Lozada, Hyphywyphy aka Chelsea Marlayne Calalay, Joe Ramos, Malaya Tuyay, Monica Magtoto, Kate Dash, Pinay Liminality, Pinxys Rising by Nickel Rivera & Narce Guinto, Sami See aka Samantha Curl, and Tito Gavina.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"

For Sami Schilf, the Filipino philosophy of \u201cKapwa,\u201d or \u201ctogetherness,\u201d crosses borders. Her mural \u201cKapwa Rising,\u201d which stands atop a Filipino-inspired taqueria in SOMA\u2014which is aptly named Mestiza\u2014would draw comments of familiarity from passersby. Zulus have the word \u201cUbuntu,\u201d meaning \u201cI am because we are.\u201d Mayans have \u201cIn Lak\u2019ech,\u201d or\u00a0 \u201cI am you, and you […]<\/p>\n","protected":false},"author":35,"featured_media":40495,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"newspack_popups_has_disabled_popups":false,"newspack_featured_image_position":"","newspack_post_subtitle":"","newspack_article_summary_title":"Overview:","newspack_article_summary":"","newspack_hide_updated_date":false,"newspack_show_updated_date":false,"footnotes":""},"categories":[7],"tags":[17786,17784,17782,17778,17780],"coauthors":[],"class_list":["post-40494","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-cecilia-pena-govea","tag-chelsea-calalay","tag-kate-dash","tag-new-mestizx","tag-sami-schilf","entry"],"yoast_head":"\nFilipinx and Latinx artists explore transcultural identity - El Tecolote<\/title>\n<meta name=\"description\" content=\"For Sami Schilf, the Filipino philosophy of \u201cKapwa,\u201d or \u201ctogetherness,\u201d crosses borders. 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