{"id":40084,"date":"2019-03-14T12:38:54","date_gmt":"2019-03-14T19:38:54","guid":{"rendered":"http:\/\/eltecolote.org\/content\/?p=40084"},"modified":"2019-03-14T12:38:54","modified_gmt":"2019-03-14T19:38:54","slug":"40-years-later-las-sandinistas-story-retold-from-the-perspective-of-women","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/en\/40-years-later-las-sandinistas-story-retold-from-the-perspective-of-women\/","title":{"rendered":"40 years later Las Sandinistas story retold from the perspective of women"},"content":{"rendered":"<p>[su_label type=&#8221;info&#8221;]Column: Centrospective[\/su_label]<\/p>\n<figure id=\"attachment_40089\" aria-describedby=\"caption-attachment-40089\" style=\"width: 1024px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2019\/03\/las-sandinistas.jpg?quality=89&#038;ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-40089\" src=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2019\/03\/las-sandinistas.jpg?resize=1024%2C738&#038;quality=89&#038;ssl=1\" alt=\"\" width=\"1024\" height=\"738\" srcset=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2019\/03\/las-sandinistas.jpg?w=1024&amp;quality=89&amp;ssl=1 1024w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2019\/03\/las-sandinistas.jpg?resize=600%2C432&amp;quality=89&amp;ssl=1 600w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2019\/03\/las-sandinistas.jpg?resize=347%2C250&amp;quality=89&amp;ssl=1 347w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2019\/03\/las-sandinistas.jpg?resize=768%2C554&amp;quality=89&amp;ssl=1 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><figcaption id=\"caption-attachment-40089\" class=\"wp-caption-text\">A still from the film \u201c\u00a1Las Sandinistas!\u201d directed by Jenny Murray. Courtesy: Jenny Murray<\/figcaption><\/figure>\n<p class=\"p5\">\n<figure id=\"attachment_34257\" aria-describedby=\"caption-attachment-34257\" style=\"width: 200px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2017\/06\/Centrospective_Nestor-Castillo_Headshot_web.jpg?quality=89&#038;ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\" wp-image-34257\" src=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2017\/06\/Centrospective_Nestor-Castillo_Headshot_web.jpg?resize=200%2C234&#038;quality=89&#038;ssl=1\" alt=\"\" width=\"200\" height=\"234\" \/><\/a><figcaption id=\"caption-attachment-34257\" class=\"wp-caption-text\">Nestor Castillo<\/figcaption><\/figure>\n<p class=\"p1\">Those of you who are regular readers of my column know that I\u2019ve taught at SF State for a couple years now. Since I began teaching in the College of Ethnic Studies back in the Spring of 2015, I\u2019ve had the office next door to that of Daisy Zamora, a colleague of mine in the Latina\/o Studies Department. I\u2019m embarrassed to say that I only knew of Daisy in a vague sense, via statements I\u2019d heard over the years such as: \u201cShe was involved in the \u2018Revolucion,\u2019\u201d or \u201cDid you know she was a Sandinista?\u201d or my favorite, \u201cEra una de las meras meras.\u201d<\/p>\n<p class=\"p3\">I had no idea the extent of Daisy\u2019s involvement in the Nicaraguan revolution, which will mark its 40-year anniversary this July. It should come as no surprised that I knew all about certain men of the revolution\u2014Comandante 0, one of the more charismatic and showy figures of the revolution; Daniel Ortega, who\u2019s appeal I still don\u2019t quite understand; and Tomas Borge, who had about as much personality as a stale tortilla. As is often the case in periods of transformative struggle, certain figures and groups (women in particular) are overlooked, forgotten, or erased entirely from the story. \u201c\u00a1Las Sandinistas!\u201d a documentary by Jenny Murray, is an attempt to recover the role of women in the Nicaraguan revolution. The film\u2019s original title \u201cMemoria Del Fuego,\u201d which is also the title of Eduardo Galeano\u2019s three-part history of Latin America, alludes to this.<\/p>\n<figure id=\"attachment_40087\" aria-describedby=\"caption-attachment-40087\" style=\"width: 288px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2019\/03\/LS_Publicity_Stills_20-WEB.jpg?quality=89&#038;ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-40087\" src=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2019\/03\/LS_Publicity_Stills_20-WEB.jpg?resize=288%2C432&#038;quality=89&#038;ssl=1\" alt=\"\" width=\"288\" height=\"432\" srcset=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2019\/03\/LS_Publicity_Stills_20-WEB.jpg?w=288&amp;quality=89&amp;ssl=1 288w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2019\/03\/LS_Publicity_Stills_20-WEB.jpg?resize=167%2C250&amp;quality=89&amp;ssl=1 167w\" sizes=\"auto, (max-width: 288px) 100vw, 288px\" \/><\/a><figcaption id=\"caption-attachment-40087\" class=\"wp-caption-text\">Courtesy: Orlando Valenzuela<\/figcaption><\/figure>\n<p class=\"p3\">\u201c\u00a1Las Sandinistas!\u201d centers around the revolutionary life of Comandante Dora Maria Tellez, and her compa\u00f1eras: Daisy, Sofia, Gioconda, Claudia, and Olga\u2014all militants of the Frente Sandinista de Liberacion Nacional (FSLN). While the film does a straight-forward job of recapping some of the major events that marked the revolution, such as the taking of the National Palace and the capture of Leon (the first major city to fall, and under the leadership of none other than Dora Maria), its real strength is in the way it tells the story of the revolution from the perspective of these women. \u201cWe had to make the revolution inside the revolution\u201d Daisy Zamora says in the film as she reflects on her time not only as a combatant but as the vice-minister of culture of the Sandinista government that took power in 1979. Listening to these women describe their experiences in combat, and their attempts to find their place within the revolution is where \u201c\u00a1Las Sandinistas!\u201d transcends mere documentation to capture the raw emotion of history being made.<\/p>\n<p class=\"p3\">The film doesn\u2019t shy away from criticism of Nicaraguan President Daniel Ortega and his wife, Rosario Murrillo, who just so happens to be his vice-president. The latter half of the film is undoubtedly influenced by the demonstrations that took place in early 2018 after the government announced social security \u201creforms\u201d that would increase costs but cut benefits for Nicaraguans. It also revisits the 1998 accusations of rape made against Ortega by his step-daughter, perhaps drawing a parallel with the current #Metoo movement. The last part of the film may raise suspicion in some of us who have supported the Latin American left against repeated U.S. interventions (Marco Rubio tweeted out that he had met with leaders of the Nicaraguan university coalition in June of last year), but when the critiques of Ortega are coming from the former Sandinistas themselves they become harder to deny.<\/p>\n<p class=\"p3\">\u201c\u00a1Las Sandinistas!\u201d has already picked up a number of awards, most notably SXSW\u2019s 2018 \u201cSpecial Jury Recognition,\u201d and a shorter cut of the film had its broadcast premiere on PBS DocWorld on March 10, 2019. The timing is perfect as it coincides with the recognition of International Women\u2019s Day on March 8. \u201c\u00a1Las Sandinistas!\u201d wrestles to recover memory from amnesia, and by doing so allows history to speak rather than remain mute. This reason alone makes it essential watching for any Centroamericanista.<\/p>\n<p>https:\/\/www.youtube.com\/watch?v=JFkR3SAo12I<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[su_label type=&#8221;info&#8221;]Column: Centrospective[\/su_label] Those of you who are regular readers of my column know that I\u2019ve taught at SF State for a couple years now. Since I began teaching in the College of Ethnic Studies back in the Spring of 2015, I\u2019ve had the office next door to that of Daisy Zamora, a colleague of [&hellip;]<\/p>\n","protected":false},"author":35,"featured_media":40085,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"newspack_popups_has_disabled_popups":false,"newspack_featured_image_position":"","newspack_post_subtitle":"","newspack_article_summary_title":"Overview:","newspack_article_summary":"","newspack_hide_updated_date":false,"newspack_show_updated_date":false,"footnotes":""},"categories":[3535,4],"tags":[17610,13648,13650],"coauthors":[],"class_list":["post-40084","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","category-voices","tag-las-sandinistas","tag-centrospective","tag-nestor-castillo","entry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>40 years later Las Sandinistas story retold from the perspective of women - El Tecolote<\/title>\n<meta name=\"description\" content=\"Column: Centrospective Those of you who are regular readers of my column know that I\u2019ve taught at SF State for a couple years now. 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