{"id":39442,"date":"2018-11-15T12:05:32","date_gmt":"2018-11-15T19:05:32","guid":{"rendered":"http:\/\/eltecolote.org\/content\/?p=39442"},"modified":"2018-11-15T12:20:51","modified_gmt":"2018-11-15T19:20:51","slug":"a-symphonic-day-of-the-dead","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/en\/a-symphonic-day-of-the-dead\/","title":{"rendered":"A Symphonic Day of the Dead"},"content":{"rendered":"

[su_label type=”info”]The Devil’s Advocate[\/su_label]<\/p>\n

[su_carousel source=”media: 39444,39443,39445,39446″ limit=”100″ link=”lightbox” width=”800″ height=”540″ responsive=”no” items=”1″]<\/p>\n

\"\"<\/a>
Carlos Bar\u00f3n<\/figcaption><\/figure>\n

<\/b>On Nov. 3, as we approached the Louise M. Davies Symphony Hall, the afternoon sun illuminated a distinct atmosphere, that of converging audience members including people of all ages, many dressed in colorful attires, speaking two predominant languages: English and Spanish.<\/p>\n

Inside the symphony hall and its various lobbies, there were many beautiful displays of Day of the Dead installations. There were\u00a0 <\/span>paper mach\u00e9 skulls (large and small), mariachi music (this year, the Mariachi Juvenil de la Misi\u00f3n was present), tamales being sold and many actors and actresses were costumed and made up in traditional Day of the Dead garbs, with an abundance of \u201cCatrinas.\u201d The capacity audience enjoyed themselves in all areas of the building.<\/p>\n

It was the 11th straight year that the San Francisco Symphony sponsored a D\u00eda de Los Muertos Community Celebration.<\/p>\n

Once the concert began, the excitement was palpable. Under the animated (and obviously expert) and happy guest conduction of the Portuguese-American Jacomo Bairos, the audience enjoyed a veritable mix of classical pieces by Johann Sebastian Bach (German), Silvestre Revueltas (Mexican), Manuel de Falla (Spanish) and Ernesto Lecuona (Cuban).<\/p>\n

In the second half, the Villalobos Brothers, born and raised in Xalapa, M\u00e9xico, presented a rousing mix of Mexican and classical music\u2026 but there was no mistaking their roots: They started by singing with strong and rousing falsettos\u2014Mexican style\u2014and with a virtuoso display of violins. Backed by a large number of musicians from the SF Symphony, the presentation was an exciting expression of a successful musical interconnection.<\/p>\n

Personally, when the Villalobos Brothers sang an adaptation of a \u201cclassical\u201d song from the Mexican folklore, where they joked with the issue of immigration, I loved the fact that a couple of the SF Symphony players smiled and even laughed, exhibiting their bilingualism.<\/p>\n

The response of the audience to the Villalobos segment was quite different to more traditional subdued classical audiences: some screamed along lustfully, or they yelled \u201c\u00a1Viva M\u00e9xico!\u201d\u2026to what someone added \u201cand half of the United States!\u201d<\/p>\n

There were also loud \u201c\u00a1Vivas!\u201d to the approaching \u201cinvading caravan of immigrants,\u201d thus described by some of our (mis)leaders.<\/p>\n

D\u00eda de los Muertos has become an important icon in the cultural calendar of San Francisco.<\/p>\n

On Nov. 2, the Mission District, a still surviving bastion of the Latino community\u2014although it has become a more complicated multicultural enclave\u2014turns into an enormously colorful celebration of D\u00eda de los Muertos.<\/p>\n

Massive numbers of people descend upon the Mission to enjoy the atmosphere, which includes a large parade, lots of music and dance (led always by Aztec dancers), with lots of incense, food and plenty of skulls, either painted on the faces of the participants or depicted in drawings, surrounding murals and costumes.<\/p>\n

This San Francisco version of an old Mexican tradition (although other Latino countries celebrate a more subdued version of remembrance for their dead) started over 40 years ago, with a relatively small contingent of artists. Among the initiators, we should mention artists from Galer\u00eda de la Raza, including the recently deceased Ren\u00e9 Y\u00e1\u00f1ez.<\/p>\n

It is especially poignant that Galer\u00eda de la Raza is currently in danger of losing its traditional corner of operations, at 24th and Bryant streets.<\/p>\n

With the tsunami of evictions and condominiums\u2014largely prompted by the \u201cinvasion of a caravan of techies and tech companies\u201d that have dramatically changed the city\u2014new alliances have to be formed, in order to keep a healthy profile for our cultural expression. Thus the importance of the SF Symphony\u2019s D\u00eda de los Muertos Community Celebration.<\/p>\n

I briefly spoke with Martha Rodr\u00edguez Salazar, Mexicana, who is described in the concert\u2019s program as \u201cpre-concert curator and music adviser.\u201d Martha has been in that position since 2008, when this particular concert began.<\/p>\n

When asked about her experiences, Martha said: \u201cThis is my 11th year organizing this celebration and it is always very emotional to live that process of creation and planning.<\/p>\n

It gives me great satisfaction to be able to help to promote the work of Bay Area artists, who have not been able to show their work in other places. Not only musicians but graphic artists, designers sculptors. I also learn a great deal from other varied guest artist, who are\u00a0 <\/span>generally well known. Being a classically trained musician, who also performs folk music from Latinoam\u00e9rica, I think that it is important to promote the artistic interconnections among various cultures: Latino-Anglo and Classical-Popular. I believe that I have learned a great deal about what unites us and what separates us. \u201c<\/p>\n

To end, Martha Rodr\u00edguez added: \u201cI am proud to have been able to bring various aspects of the Day of the Dead celebration into a place that has historically focused on European classical music. My desire is that at least once a year the Symphony can include some classical music from Latinoamerican composers\u201d.<\/p>\n

I agree: the more the better. This D\u00eda de los Muertos Community Concert has become another important icon in the cultural calendar of San Francisco. Hopefully, it will expand to include new concerts that can show the quality of Latinoam\u00e9rica\u2019s classical music.<\/p>\n

Hopefully, with admission prices adequate to those new audiences, that will show up!<\/p>\n","protected":false},"excerpt":{"rendered":"

[su_label type=”info”]The Devil’s Advocate[\/su_label] [su_carousel source=”media: 39444,39443,39445,39446″ limit=”100″ link=”lightbox” width=”800″ height=”540″ responsive=”no” items=”1″] On Nov. 3, as we approached the Louise M. Davies Symphony Hall, the afternoon sun illuminated a distinct atmosphere, that of converging audience members including people of all ages, many dressed in colorful attires, speaking two predominant languages: English and Spanish. Inside […]<\/p>\n","protected":false},"author":35,"featured_media":39446,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"newspack_popups_has_disabled_popups":false,"newspack_featured_image_position":"","newspack_post_subtitle":"","newspack_article_summary_title":"Overview:","newspack_article_summary":"","newspack_hide_updated_date":false,"newspack_show_updated_date":false,"footnotes":""},"categories":[11905],"tags":[3596,6871,11229],"coauthors":[],"class_list":["post-39442","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-devils-advocate","tag-dia-de-los-muertos-en","tag-san-francisco-symphony","tag-the-devils-advocate","entry"],"yoast_head":"\nA Symphonic Day of the Dead - El Tecolote<\/title>\n<meta name=\"description\" content=\"The Devil's Advocate On Nov. 3, as we approached the Louise M. 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