{"id":36370,"date":"2017-11-30T16:36:30","date_gmt":"2017-11-30T23:36:30","guid":{"rendered":"http:\/\/eltecolote.org\/content\/?p=36370"},"modified":"2017-11-30T17:02:10","modified_gmt":"2017-12-01T00:02:10","slug":"a-new-producer-for-la-posarela","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/en\/a-new-producer-for-la-posarela\/","title":{"rendered":"A new producer for \u2018La Posarela\u2019"},"content":{"rendered":"

[su_label type=”info”]Column: The Devil’s Advocate[\/su_label]<\/p>\n

[su_carousel source=”media: 36371,36372,36373,36374,36375,36376,36377,36378,36379,36380″ limit=”65″ link=”lightbox” target=”blank” width=”800″ height=”540″ responsive=”no” items=”1″]<\/p>\n

\"\"<\/a>
Carlos Bar\u00f3n<\/figcaption><\/figure>\n

For more than 10 years, the Community Music Center (CMC) has produced \u201cLa Posarela,\u201d a musical\/theater celebration of the journey of Joseph and Mary as they search for a safe space where baby Jesus can be born. They knock on many doors\u2026 and they are denied at many doors. Finally, as the story goes, Mary delivers the miracle baby in a humble stable, surrounded by gentle animals. Everyone rejoices, evil is defeated, pi\u00f1atas are broken.<\/p>\n

The original production became extremely popular in our community. It involved more than 70 participants of various ages: musicians, singers and actors. It was a veritable community effort and I can say that it truly filled both performers and audiences with good spirits.<\/p>\n

I took part in in the production for many years. I wrote the theatrical script and played the part of \u201cEl Diablote,\u201d (The Devil) for nine straight years.<\/p>\n

Since this column is called \u201cThe Devil\u2019s Advocate,\u201d perhaps some might think that I have fallen under the influence of the fallen angel. \u201cIt ain\u2019t necessarily so,\u201d as the song from \u201cPorgy and Bess\u201d\u2014the opera by George Gershwin\u2014goes. I believe that I have stayed objectively rooted on earth, between Heaven and Hell\u2014human.<\/p>\n

I will not deny that I enjoyed the way audiences booed me when I played \u201cEl Diablote\u201d and the way they laughed at the outrageous statements delivered by the character. In \u201cLa Posarela,\u201d The Devil, the archetypal adversary (or \u201cantagonist,\u201d in theater jargon), makes the audience laugh and\/or recoil in disgust, real or feigned. Most importantly though, he makes us think.<\/p>\n

I spoke with the young Marcelo Javier Pereira, a Guatemalan-American theater artist born and raised in San Francisco and a founding member of the Bay Area Theater Company (BATCO). When he announced that BATCO was producing the 2017 show, I was very happy. Marcelo had directed the last \u201cPosarela\u201d show in 2015 and he had proved to be a capable director.<\/p>\n

BATCO itself is beginning to get noticed as an important addition to the Bay Area theater scene, a group that\u2014as Marcelo says\u2014\u201caims to be reflective of the authentic perspectives and histories of the SF Bay Area. It is important that our stage is peopled by the multicultural and multiethnic reality of the area. Today, that reality is getting rapidly eroded by gentrification.\u201d He pauses briefly and finishes, passionately: \u201cBut we are not going to give it up! Our stories need to be told!\u201d<\/p>\n

Marcelo Pereira, together with his long-time friend and collaborator Rodney Jackson (the choreographer in the current production), who was also born and raised in San Francisco, founded BATCO after both went to college on the East Coast, in order to further their theater careers. Rodney, who is African-American, received a scholarship to attend Carnegie Mellon. Marcelo attended Syracuse University.<\/p>\n

\u201cWe have been friends since we were 13-year-old kids,\u201d Marcelo said. \u201cWe met on the summer before we entered High School, at SOTA [School of the Arts in San Francisco].\u201d<\/p>\n

Back on the East Coast, they found each other again, as they tested the waters of the New York theater scene.<\/p>\n

\u201cThe East Coast is still the main place to learn the traditional American Theater, specially the musical form,\u201d Marcelo said. \u201cBut we both missed the SF Bay Area and wanted to get back to San Francisco. Our stories have not been told. I mean, we love the glitter, flowers and rainbows [of the traditional theater], but we started BATCO because these two queer men of color had something to say in our theater.\u201d<\/p>\n

I asked him about the role of White people in their multicultural, multi-ethnic theater and he smiles: \u201cWhite is still part of the narrative, but it\u2019s not controlling it!\u201d<\/p>\n

In the 2017 production of \u201cLa Posarela,\u201d the urgent issues of immigration, xenophobia, gentrification and sexism will be highlighted. Of course, with the usual healthy dose of traditional holiday songs that characterizes the show and this time adding more intricate choreography and with a bilingual script, where Spanish is central.<\/p>\n

\u201cAfter I directed \u2018La Posarela\u2019 in 2015, my sister and my mother told me: \u2018Your company should produce this show.\u2019 They thought that \u2018La Posarela,\u2019 sadly, becomes more and more relevant with every passing minute,\u201d Marcelo said. \u201cThey were right. This time, I believe that we will entice even more political insight and depth into the plot. And better acting, singing and dancing!\u201d<\/p>\n

I have stayed as the writer, but the role of \u201cEl Diablote\u201d is now played by a young, upcoming Chicano actor, Tony Ortega, who played the role of \u201cJos\u00e9\u201d in an earlier \u201cPosarela.\u201d When I saw him, during a rehearsal, he hugged me and said, happily: \u201cI always wanted to play The Diablote!\u201d I second that emotion.<\/p>\n

I will not be playing El Diablote this year, but I am not unhappy about it. After collaborating with Marcelo Pereira on an improved script, with new songs and stronger characters and after attending rehearsals and seeing the obvious quality of the cast, I am convinced that the 2017 \u201cLa Posarela\u201d will be an exciting production.<\/p>\n

Now, all that is missing is you: the audience.<\/p>\n

\u201cLa Posarela\u201d will be showing at The\u200b \u200bBrava\u200b Theater Center, located at 2781 24th St. It previews Thursday, Dec. 14 at 8 p.m.\u200b (Pay-What-You-Can Night), and shows Friday, Dec. 15 and Saturday, Dec. 16 at\u200b \u200b8 p.m.,\u200b and closes Sunday, Dec. 17 at 2 p.m. Tickets range from $15-$40, and are available at sfbatco.org\/laposarela. Groups sales available for parties of 8 or more. For more info, contact info@sfbatco.org <\/i><\/p>\n","protected":false},"excerpt":{"rendered":"

[su_label type=”info”]Column: The Devil’s Advocate[\/su_label] [su_carousel source=”media: 36371,36372,36373,36374,36375,36376,36377,36378,36379,36380″ limit=”65″ link=”lightbox” target=”blank” width=”800″ height=”540″ responsive=”no” items=”1″] For more than 10 years, the Community Music Center (CMC) has produced \u201cLa Posarela,\u201d a musical\/theater celebration of the journey of Joseph and Mary as they search for a safe space where baby Jesus can be born. They knock on […]<\/p>\n","protected":false},"author":35,"featured_media":36371,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"newspack_popups_has_disabled_popups":false,"newspack_featured_image_position":"","newspack_post_subtitle":"","newspack_article_summary_title":"Overview:","newspack_article_summary":"","newspack_hide_updated_date":false,"newspack_show_updated_date":false,"footnotes":""},"categories":[11905,4],"tags":[15472,15470,8367,8383,7259,15474,15476,11229],"coauthors":[],"class_list":["post-36370","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-devils-advocate","category-voices","tag-batco","tag-bay-area-theater-company","tag-carlos-baron","tag-community-music-center-en","tag-la-posarela-en","tag-marcelo-javier-pereira","tag-rodney-jackson","tag-the-devils-advocate","entry"],"yoast_head":"\nA new producer for \u2018La Posarela\u2019 - El Tecolote<\/title>\n<meta name=\"description\" content=\"Column: The Devil's Advocate For more than 10 years, the Community Music Center (CMC) has produced \u201cLa Posarela,\u201d a musical\/theater celebration of the\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/eltecolote.org\/content\/en\/a-new-producer-for-la-posarela\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A new producer for \u2018La Posarela\u2019 - 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