{"id":36245,"date":"2017-11-27T16:04:50","date_gmt":"2017-11-27T23:04:50","guid":{"rendered":"http:\/\/eltecolote.org\/content\/?p=36245"},"modified":"2017-11-28T11:38:01","modified_gmt":"2017-11-28T18:38:01","slug":"encuentro-36-puts-modern-twist-on-tradition-of-resistance-through-music","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/en\/encuentro-36-puts-modern-twist-on-tradition-of-resistance-through-music\/","title":{"rendered":"Encuentro 36 puts modern twist on tradition of resistance through music"},"content":{"rendered":"<figure id=\"attachment_36246\" aria-describedby=\"caption-attachment-36246\" style=\"width: 864px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2017\/11\/La-Misa-Negra_01web.jpg?quality=89&#038;ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-36246\" src=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2017\/11\/La-Misa-Negra_01web.jpg?resize=864%2C433&#038;quality=89&#038;ssl=1\" alt=\"\" width=\"864\" height=\"433\" srcset=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2017\/11\/La-Misa-Negra_01web.jpg?w=864&amp;quality=89&amp;ssl=1 864w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2017\/11\/La-Misa-Negra_01web.jpg?resize=600%2C301&amp;quality=89&amp;ssl=1 600w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2017\/11\/La-Misa-Negra_01web.jpg?resize=360%2C180&amp;quality=89&amp;ssl=1 360w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2017\/11\/La-Misa-Negra_01web.jpg?resize=768%2C385&amp;quality=89&amp;ssl=1 768w\" sizes=\"auto, (max-width: 864px) 100vw, 864px\" \/><\/a><figcaption id=\"caption-attachment-36246\" class=\"wp-caption-text\">La Misa Negra. Photo: Andrew Zhou<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">For the past 35 years, Acci\u00f3n Latina\u2019s annual Encuentro del Canto Popular has bridged local and international communities through music.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Founded In 1982 by volunteers from El Tecolote, Encuentro was envisioned as a statement of solidarity with the \u201cNuevo Cancion\u201d movement of 1960s and \u201870s (embodied by the Chilean poet V\u00edctor Jara), which sought to overcome the political oppression in Central and South America through music. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The concert has evolved over time, changing venues and broadening in scope to include sounds beyond Nuevo Cancion, but the message has remained the same throughout the years. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cMusic is very powerful,\u201d said Acci\u00f3n Latina Performing Arts Manager Jesus Valera, who has produced Encuentro for the past three years. Varela added that his intent was to focus on attracting a youthful audience, while creating an experience everyone could enjoy, \u201csomewhere where people can bring their grandma and also their homegirl.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This year\u2019s headliner La Misa Negra, a seven-piece outfit from Oakland, fits the bill. <\/span><\/p>\n<figure id=\"attachment_36247\" aria-describedby=\"caption-attachment-36247\" style=\"width: 500px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2017\/11\/La-Misa-Negra_02web.jpg?quality=89&#038;ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-36247\" src=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2017\/11\/La-Misa-Negra_02web.jpg?resize=500%2C333&#038;quality=89&#038;ssl=1\" alt=\"\" width=\"500\" height=\"333\" srcset=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2017\/11\/La-Misa-Negra_02web.jpg?w=864&amp;quality=89&amp;ssl=1 864w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2017\/11\/La-Misa-Negra_02web.jpg?resize=600%2C400&amp;quality=89&amp;ssl=1 600w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2017\/11\/La-Misa-Negra_02web.jpg?resize=360%2C240&amp;quality=89&amp;ssl=1 360w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2017\/11\/La-Misa-Negra_02web.jpg?resize=768%2C512&amp;quality=89&amp;ssl=1 768w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/a><figcaption id=\"caption-attachment-36247\" class=\"wp-caption-text\">La Misa Negra. Photo: Andrew Zhou<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400;\">The band\u2019s sound is a mixture of cumbia and Afro-Latin music, or music with an \u201cupright bass, old-school and classic sound with a Columbian and rock energy,\u201d according to founder Marco Polo Santiago, 40, who is also a composer, guitarist and an accordion player. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Santiago grew up listening to hip-hop, metal and cumbias in Santa Monica and in West Los Angeles. After a video game company laid him and hundreds of others off in 2009, he and his wife decided to move to the Bay Area to be closer to his in-laws. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">He founded La Misa Negra towards the end of the year in 2011, although the original members have all since been replaced. In the the group\u2019s current lineup, Diana Trujillo from Colombia is the lead singer, Justin Chin from the Bay Area plays the tenor and the baritone saxophone, Morgan Nilsen from Vermont plays the tenor saxophone and the clarinet, Elena de Troya from La Misi\u00f3n plays percussion, Paul Martin from Milwaukee plays the bass and Craig Bravo plays the drums and percussion. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">The band has steadily built a dedicated following, playing gigs and festivals all over the country as well as in the Bay Area and at locations in Southern California, such as the House of Blues in Anaheim. And they recently released an album, \u201cLa Misa Negra,\u201d on Sept. 22, which is available on Spotify, iTunes, Amazon and on their website LaMisaNegra.com. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Though Santiago was not previously familiar with Encuentro, he and his band are excited to perform once again in the Bay Area (this is their last show before embarking on a cross-country tour). <\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cIt\u2019s cool to play shows with friends,\u201d he said as he explained that he has good relationships with members of the other two groups performing at Encuentro: Taller Bombal\u00e9l\u00e9, a dance ensemble in the Puerto Rican folkloric tradition of \u201cBomba,\u201d and Soul y Agua, the latest project of local poet, singer and songwriter Monica Fimbrez.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Acci\u00f3n Latina produced a series of \u201cEncuentritos\u201d sessions this year, mini concerts held in its backyard, where nine local acts performed at three separate events, and two of them were selected to perform at Encuentro 36. After some serious deliberation, a panel of judges selected Taller Bombal\u00e9l\u00e9, and Soul y Agua. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Taller Bombal\u00e9l\u00e9 was founded in 2014 by Denise Solis and Julia Cepeda, to spread the traditional dance of \u201cBomba\u201d which is performed to the sound of Puerto Rican music. Cepeda is the granddaughter of Rafael Cepeda Atiles the patriarch of Bomba, who is known in Puerto Rico for promoting the Afro-Puerto Rican music such as Bomba and Plena. Solis is the founder and director of Las Bomberas de la Bah\u00eda, a group of women drummers. They now offer classes and perform throughout the Bay Area. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Soul y Agua\u2019s music is a combination of traditional sounds of Latin America, inspired by Fimbrez\u2019s Californian roots. Fimbrez, who plays several instruments, such as the guitar, jarana, bass and percussion, has spent a large part of her life writing music in a variety of genres. \u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Acci\u00f3n Latina has also invited Bay Area rappers Chhoti Maa and Equipto, who El Tecolote profiled in its Nov. 2-15 issue, to serve as the evening\u2019s as master of ceremonies.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">The 36th Annual Encuentro del Canto Popular with La Misa Negra will begin at 7 p.m. this Sunday, Dec. 3 at The Chapel, 777 Valencia St., San Francisco. Tickets can be purchased at the door or in advance at Encuentro36.org. \u00a0\u00a0<\/span><\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For the past 35 years, Acci\u00f3n Latina\u2019s annual Encuentro del Canto Popular has bridged local and international communities through music. Founded In 1982 by volunteers from El Tecolote, Encuentro was envisioned as a statement of solidarity with the \u201cNuevo Cancion\u201d movement of 1960s and \u201870s (embodied by the Chilean poet V\u00edctor Jara), which sought to [&hellip;]<\/p>\n","protected":false},"author":35,"featured_media":36246,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"newspack_popups_has_disabled_popups":false,"newspack_featured_image_position":"","newspack_post_subtitle":"","newspack_article_summary_title":"Overview:","newspack_article_summary":"","newspack_hide_updated_date":false,"newspack_show_updated_date":false,"footnotes":""},"categories":[3929],"tags":[3732,15344],"coauthors":[],"class_list":["post-36245","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en","tag-encuentro-del-canto-popular-en","tag-la-misa-negra","entry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Encuentro 36 puts modern twist on tradition of resistance through music - El Tecolote<\/title>\n<meta name=\"description\" content=\"For the past 35 years, Acci\u00f3n Latina\u2019s annual Encuentro del Canto Popular has bridged local and international communities through music. Founded In 1982\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/eltecolote.org\/content\/en\/encuentro-36-puts-modern-twist-on-tradition-of-resistance-through-music\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Encuentro 36 puts modern twist on tradition of resistance through music - El Tecolote\" \/>\n<meta property=\"og:description\" content=\"For the past 35 years, Acci\u00f3n Latina\u2019s annual Encuentro del Canto Popular has bridged local and international communities through music. 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