{"id":33106,"date":"2017-02-17T14:08:33","date_gmt":"2017-02-17T21:08:33","guid":{"rendered":"http:\/\/eltecolote.org\/content\/?p=33106"},"modified":"2017-02-17T14:08:33","modified_gmt":"2017-02-17T21:08:33","slug":"qa-with-director-of-new-gael-garia-bernal-film","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/en\/qa-with-director-of-new-gael-garia-bernal-film\/","title":{"rendered":"Q&A with director of new Gael Gar\u00eda Bernal film"},"content":{"rendered":"

\"\"<\/a>Based on the 1982 book \u201cDeserted Cities\u201d by Jos\u00e9 Agust\u00edn, renowned author of the \u201cLa Onda\u201d \u00a0literary movement, Roberto Sneider\u2019s \u00a0\u201cYou\u2019re Killing Me Susana\u201d (\u201cMe est\u00e1s matando Susana\u201d) follows the charismatic and amusing character played by Gael Garc\u00eda Bernal (a sort of Mexican Woody Allen) in his eagerness to recover beautiful Susana played by Ver\u00f3nica Echegui.<\/span><\/i><\/p>\n

This is Sneider\u2019s third literary adaptation after \u201cTwo Crimes\u201d (1994) and \u201cTear This Heart Out\u201d (2008), based on books by Jorge Ibarg\u00fcengoitia and \u00c1ngeles Mastretta respectively. Born in the Mexico City in 1962, Sneider also co-produced \u201cFrida\u201d (2002) with Salma Hayek, and he was executive producer of \u201cThe Hours with You\u201d (2015) by Catalina Aguilar Mastretta.<\/span><\/i><\/p>\n

During a recent visit to San Rafael for the Mill Valley Film Festival, El Tecolote spoke with Sneider about the book adaptation, the protagonist couple and a memorable scene involving spanking (spoiler alert: skip the last questions if you do not want to know the end).<\/span><\/i><\/p>\n

Your film premiered at the Guadalajara Film Festival, Mexico, as \u201cDeserted Cities.\u201d<\/b> Why did you change the title?<\/b><\/p>\n

The novel is called \u201cDeserted Cities,\u201d and the title of my film was always \u201cDeserted Cities\u201d for me<\/span>,<\/span><\/i> but the distributor made me realize that we were going to release the film around the same time as \u201cDesert,\u201d another film starring Gael. I was told that was not a good idea. And the distributor also suggested to have a title to make the audience understand that it is a movie about a relationship with a sense of humor.<\/span><\/p>\n

How different is \u201cYou\u2019re Killing Me Susana\u201d from \u201cDeserted Cities?\u201d<\/b><\/p>\n

To begin with, we moved it from the 1970s to the present, and there is a great cultural difference. And while the novel begins to tell the story from Susana’s point of view, we decided to start from the moment Eligio realizes that his woman has left, without getting her point of view until he arrives looking for her. They were important changes. And all the language, especially the language of the relationship, is a bit different, and Eligio\u2019s character too … but the essential problems remain the same.<\/span><\/p>\n

How did you pick Gael Garc\u00eda Bernal and Ver\u00f3nica Echegui to play the couple?<\/b><\/p>\n

Eligio as a character is a real jerk, but an adorable little bastard as Agust\u00edn writes it. I said to myself, \u201cFor that you need an actor who has that kind of charisma and sense of humor, without betraying a really neat thing present in the novel that I wanted in my film.\u201d And I thought Gael was perfect for that. Maybe he did not physically resemble the Eligio I imagined when I read the novel, but I said to myself, \u201cThere are more essential things in this character to be rescued.\u201d It was from the very beginning that I wanted Gael in the film.<\/span><\/p>\n

Once Gael joined the project we started looking for Susana. We read with many, mostly Mexican, actresses. And in one of those talks with Gael, he said, \u201cA long time ago I read in a casting with an actress with whom we had a very special chemistry and I thought was a very fine actress. She could do very well. Why don\u2019t we see Ver\u00f3nica Echegui?\u201d We immediately realized that there was a very special chemistry.<\/span><\/p>\n

Were the dialogues of the scenes improvised with Gael and Ver\u00f3nica?<\/b><\/p>\n

We really wanted the film to feel fresh. The novel is very imperfect in its writing style, on purpose. It feels rushed because the story is very passionate. And I wanted to do something similar. It felt to me that the way to achieve that natural and fresh tone was to allow improvisation and to have a little of that imperfection. And during the editing we did also something along those same lines, we fragmented the moments with \u201cjump cuts.\u201d Having taken that stylistic decision I told the actors, \u201cImprovise, that I\u2019ll cut out.\u201d<\/span><\/p>\n

Is your film for men or women?<\/b><\/p>\n

I swore it was a film for men, because it has a male point of view. But it also has what you may call a feminist view, very present in the novel, which [is] that of a strong woman who says \u201cNo, you can be charming, you can be whatever you want, but you\u2019re not getting away with that type of attitude.\u201d It has become more a film for women who enjoy watching this passionate man suffer as a result of his behavior.<\/span><\/p>\n

[SPOILER ALERT]<\/span><\/p>\n

Is there spanking in the novel at the end too?<\/b><\/p>\n

Yes! I loved that about the novel. I think it\u2019s brilliant. An essentially feminist novel ends with a spanking. And you say, \u201cIt takes balls, doesn\u2019t it?\u201d I liked it, because it is a loving thing. It is not a thing of submission or violence, but of \u201cI am still a man and you are still a woman, and you have behaved badly with me too and you have to tell me that you love me.\u201d Funny, isn\u2019t it? The \u201cmacho\u201d wants to be told that he\u2019s loved. It is a matter of insecurity what the film is talking about.<\/span><\/p>\n

\u201cYou\u2019re Killing Me Susana\u201d will screen at the Roxie Theater in San Francisco on Feb. 24 \u00a0and Sneider will be present for the the film\u2019s premiere. To purchase tickets go to Roxie.com.<\/span><\/i><\/p>\n

[su_youtube url=”https:\/\/www.youtube.com\/watch?v=ECe0jfpNLKc”]<\/p>\n","protected":false},"excerpt":{"rendered":"

Based on the 1982 book \u201cDeserted Cities\u201d by Jos\u00e9 Agust\u00edn, renowned author of the \u201cLa Onda\u201d \u00a0literary movement, Roberto Sneider\u2019s \u00a0\u201cYou\u2019re Killing Me Susana\u201d (\u201cMe est\u00e1s matando Susana\u201d) follows the charismatic and amusing character played by Gael Garc\u00eda Bernal (a sort of Mexican Woody Allen) in his eagerness to recover beautiful Susana played by Ver\u00f3nica […]<\/p>\n","protected":false},"author":35,"featured_media":33107,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"newspack_popups_has_disabled_popups":false,"newspack_featured_image_position":"","newspack_post_subtitle":"","newspack_article_summary_title":"Overview:","newspack_article_summary":"","newspack_hide_updated_date":false,"newspack_show_updated_date":false,"footnotes":""},"categories":[7],"tags":[12729,12735,12731,12727,12733],"coauthors":[],"class_list":["post-33106","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-deserted-cities","tag-gael-garcia-bernal-en","tag-jose-agustin","tag-roberto-sneider","tag-youre-killing-me-susana","entry"],"yoast_head":"\nQ&A with director of new Gael Gar\u00eda Bernal film - El Tecolote<\/title>\n<meta name=\"description\" content=\"Based on the 1982 book \u201cDeserted Cities\u201d by Jos\u00e9 Agust\u00edn, renowned author of the 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