{"id":31336,"date":"2016-08-12T14:04:08","date_gmt":"2016-08-12T21:04:08","guid":{"rendered":"http:\/\/eltecolote.org\/content\/?p=31336"},"modified":"2016-08-12T14:04:08","modified_gmt":"2016-08-12T21:04:08","slug":"locally-produced-film-set-to-premiere-spanish-language-version","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/en\/locally-produced-film-set-to-premiere-spanish-language-version\/","title":{"rendered":"Locally produced film set to premiere Spanish language version"},"content":{"rendered":"<figure id=\"attachment_25332\" aria-describedby=\"caption-attachment-25332\" style=\"width: 800px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2015\/01\/The-Other-Barrio_05web.jpg?quality=89&#038;ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"wp-image-25332 size-full\" src=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2015\/01\/The-Other-Barrio_05web.jpg?resize=800%2C533&#038;quality=89&#038;ssl=1\" alt=\"(L-R) Producer Lou Dematteis, Production Designer Rene Yanez, lead actor Richard Montoya and Producer\/Director Dante Betteo on the set of \u201cThe Other Barrio\u201d at San Francisco General Hospital. Photo Mario Ayala\" width=\"800\" height=\"533\" srcset=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2015\/01\/The-Other-Barrio_05web.jpg?w=800&amp;quality=89&amp;ssl=1 800w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2015\/01\/The-Other-Barrio_05web.jpg?resize=600%2C399&amp;quality=89&amp;ssl=1 600w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2015\/01\/The-Other-Barrio_05web.jpg?resize=360%2C239&amp;quality=89&amp;ssl=1 360w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><figcaption id=\"caption-attachment-25332\" class=\"wp-caption-text\">(L-R) Producer Lou Dematteis, Production Designer Rene Yanez, lead actor Richard Montoya and Producer\/Director Dante Betteo on the set of \u201cThe Other Barrio\u201d at San Francisco General Hospital. Photo Mario Ayala<\/figcaption><\/figure>\n<p class=\"p1\"><b><\/b><i>T<\/i><i>he Spanish-language dubbed version of the locally produced film, \u201cThe Other Barrio,\u201d will make its world premier Sept. 1 at San Francisco\u2019s Roxie Theater. \u201cEl Otro Barrio\u201d screens at 7 p.m., and will be followed by a Q&amp;A in Spanish with Alejandro Murguia and Dante Betteo. Based on a story by San Francisco Poet Laureate Alejandro Murguia, the film is directed by Chile\u2019s Dante Betteo, and co-produced by Betteo and local photojournalist Lou Dematteis. It has been selected for the Chicano international Film Festival in Los Angeles on Sept. 11. El Tecolote had the opportunity to sit down with Dematteis to talk about the process of dubbing the film.<\/i><\/p>\n<p class=\"p4\"><b>Making the film was quite a grassroots effort, but tell us about the process of dubbing the film?<\/b><\/p>\n<p class=\"p6\">Like you said, it is a grassroots effort, so we didn\u2019t have a lot of money. And a lot of the time, Dante and I put in ourselves, and we weren\u2019t getting compensated. So originally, we had wanted to do a Spanish subtitled version, which would mean everything would have to be translated into Spanish, and then put into the film. We didn\u2019t have the funds to pay anybody to be able to do that, and it was very time consuming. So while we hadn\u2019t given up that idea, we have a sales agent in Los Angeles, and she was able to make a sale to a distributor in the United States [Olympusat Entertainment] that distributes films in Spanish. So as part of the deal, they did the dubbing. So we got some money for it, but it wasn\u2019t that much. But [what] we really got, that was part of the deal, was the master of the dubbed version.<\/p>\n<figure id=\"attachment_25328\" aria-describedby=\"caption-attachment-25328\" style=\"width: 324px\" class=\"wp-caption alignright\"><a href=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2015\/01\/The-Other-Barrio_01web.jpg?quality=89&#038;ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-25328\" src=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2015\/01\/The-Other-Barrio_01web.jpg?resize=324%2C480&#038;quality=89&#038;ssl=1\" alt=\"Poster for \u201cThe Other Barrio.\u201d\" width=\"324\" height=\"480\" srcset=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2015\/01\/The-Other-Barrio_01web.jpg?resize=324%2C480&amp;quality=89&amp;ssl=1 324w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2015\/01\/The-Other-Barrio_01web.jpg?resize=600%2C887&amp;quality=89&amp;ssl=1 600w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2015\/01\/The-Other-Barrio_01web.jpg?resize=169%2C250&amp;quality=89&amp;ssl=1 169w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2015\/01\/The-Other-Barrio_01web.jpg?w=800&amp;quality=89&amp;ssl=1 800w\" sizes=\"auto, (max-width: 324px) 100vw, 324px\" \/><\/a><figcaption id=\"caption-attachment-25328\" class=\"wp-caption-text\">Poster for \u201cThe Other Barrio.\u201d<\/figcaption><\/figure>\n<p class=\"p4\"><b>Did you, Dante or Alejandro have a say in what accent was used in the Spanish dubbing?<\/b><\/p>\n<p class=\"p6\">No. And that\u2019s interesting because that\u2019s a big deal. As you probably know. Every country thinks their Spanish is the best. The company [Olympusat] is based in Miami, so I thought that they would be doing the dubbing in Miami. But actually they have an office in Mexico City, so the film was dubbed there. But it was interesting because there\u2019s a certain accent in Mexico City. So they did really good. Some dubbing, people tell me, they have a man and a woman, and they do all of the voices themselves and try to make them sound different. But in this, each character has their own actor. But I did play the trailer for a friend of mine who\u2019s from Mexico City and he said, \u201cOh man, that\u2019s so D.F.\u201d So it has a Mexico City accent, but what are you gonna do?<\/p>\n<p class=\"p4\"><b>The film itself is important, given the recent history of fires in the Mission, but how important was it to make it available to the monolingual Spanish-speaking community?<\/b><\/p>\n<p class=\"p6\">It was always in our mind that we wanted to do that. And we always are, looking at the Latin American market. Film festivals actually like films that are subtitled, as opposed to dubbed. When you make a film, you want as many people to see it as possible. But also, it\u2019s an important story, so we want as many who can, to see it. If we\u2019re locking ourselves out of a certain audience because it\u2019s English only, then we wanted to develop the opportunity so that we could present it. What will be interesting is seeing what kind of audience we will get for the show in Spanish.<\/p>\n<p class=\"p4\"><b>How will film be distributed?<\/b><\/p>\n<p class=\"p6\">Olympusat has the Spanish-language rights in the United States. So they are already distributing it in the United States.<\/p>\n<p class=\"p4\"><b>How does it make you feel, seeing this community effort go international?<\/b><\/p>\n<p class=\"p6\">It\u2019s great. My background is as a still photographer, documentary photographer, photojournalist. You have a feeling of accomplishment, doing something like this. But what you really want, is as many people to see it as possible. It doesn\u2019t do any good to take pictures or make films, and you get to show them to your friends and stuff, but getting it out and to start breaking into the Spanish-language market is great. Olympusat\u2014the people that they\u2019re distributing it to\u2014we\u2019d have no way to ever reach them.<\/p>\n<p class=\"p4\"><b>Do you have any expectation for how the film will do Internationally?<\/b><\/p>\n<p class=\"p6\">That\u2019s tough. We don\u2019t know what we\u2019re going to make when it comes to international sales. We still have bills we\u2019re paying off and we\u2019re trying to keep an income stream. Unfortunately we missed the big ones. We got HBO and HBO Latino to watch it, but neither of them picked it up. HBO is probably the biggest money we could get. But we\u2019ll continue to keep pushing it.<\/p>\n<p class=\"p4\"><b>What kind of impact do you think the film has had in terms of creating awareness of gentrification?<\/b><\/p>\n<p class=\"p6\">We show the film all over the United States\u2014Washington D.C., San Antonio Cine Fest. We\u2019ve had a nice combination of regular festivals and Latino film festivals. The last one we did was the Chicago Latino Film Festival, which was the best festival of any that we\u2019ve done. They were fantastic. But everywhere we go, there\u2019s a problem with gentrification. And there\u2019s a problem with gentrification in the traditional ethnic neighborhoods\u2014Latino neighborhoods, black neighborhoods, Chinatown. Chinatowns all over the United States are under the same kind of pressure, even in New York. So we think it\u2019s great that this film has become a vehicle for discussion. And people ask us, \u201cWhat can we do?\u201d And we tell them, \u201cYou have to organize.\u201d It\u2019s the only chance you have. You\u2019re not going to stop it, but you can tamp it down and help as many people stay in the neighborhood. It provides people with a bit of optimism. The other thing that\u2019s important is how many films do you see where the majority of the people that you see on the screen are Latino, or Asian, or non-white. Our stars were non-white. I think that\u2019s great for people, to see that and say, \u201cYeah, we belong up there. Just like anybody else.\u201d We were very glad to provide that positive image for people.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Spanish-language dubbed version of the locally produced film, \u201cThe Other Barrio,\u201d will make its world premier Sept. 1 at San Francisco\u2019s Roxie Theater. \u201cEl Otro Barrio\u201d screens at 7 p.m., and will be followed by a Q&amp;A in Spanish with Alejandro Murguia and Dante Betteo. Based on a story by San Francisco Poet Laureate [&hellip;]<\/p>\n","protected":false},"author":35,"featured_media":25332,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"newspack_popups_has_disabled_popups":false,"newspack_featured_image_position":"","newspack_post_subtitle":"","newspack_article_summary_title":"Overview:","newspack_article_summary":"","newspack_hide_updated_date":false,"newspack_show_updated_date":false,"footnotes":""},"categories":[7],"tags":[3887,11251,11247,11253,11249,11255],"coauthors":[],"class_list":["post-31336","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-alejandro-murguia-en","tag-dante-betteo-en","tag-el-otro-barrio","tag-lou-dematteis-en","tag-olympusat-entertainment","tag-the-other-barrio-en","entry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Locally produced film set to premiere Spanish language version - 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