{"id":24737,"date":"2014-10-22T10:51:45","date_gmt":"2014-10-22T17:51:45","guid":{"rendered":"http:\/\/eltecolote.org\/content\/?p=24737"},"modified":"2014-11-07T12:00:27","modified_gmt":"2014-11-07T19:00:27","slug":"day-of-dead-exhibit-blend-tradition-with-current-events","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/en\/day-of-dead-exhibit-blend-tradition-with-current-events\/","title":{"rendered":"Day of the Dead: local artists mourn loss of life, culture"},"content":{"rendered":"<figure id=\"attachment_24740\" aria-describedby=\"caption-attachment-24740\" style=\"width: 502px\" class=\"wp-caption alignright\"><a href=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2014\/10\/Rene-Rio_01web.jpg?quality=89&#038;ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\" wp-image-24740\" src=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2014\/10\/Rene-Rio_01web.jpg?resize=502%2C756&#038;quality=89&#038;ssl=1\" alt=\"Rene (left) and Rio Yanez at the 2014 Day of the Dead exhibit. Photo Mabel Jimenez\" width=\"502\" height=\"756\" srcset=\"https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2014\/10\/Rene-Rio_01web.jpg?w=900&amp;quality=89&amp;ssl=1 900w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2014\/10\/Rene-Rio_01web.jpg?resize=600%2C903&amp;quality=89&amp;ssl=1 600w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2014\/10\/Rene-Rio_01web.jpg?resize=166%2C250&amp;quality=89&amp;ssl=1 166w, https:\/\/i0.wp.com\/eltecolote.org\/content\/wp-content\/uploads\/2014\/10\/Rene-Rio_01web.jpg?resize=318%2C480&amp;quality=89&amp;ssl=1 318w\" sizes=\"auto, (max-width: 502px) 100vw, 502px\" \/><\/a><figcaption id=\"caption-attachment-24740\" class=\"wp-caption-text\">Rene (left) and Rio Yanez at the 2014 Day of the Dead exhibit. Photo Mabel Jimenez<\/figcaption><\/figure>\n<p>When it comes to keeping tradition alive, renowned San Francisco artist Rene Ya\u00f1ez and his son Rio prefer an unconventional approach: They celebrate death. And, they creatively use it to spark dialogue about controversial issues within their community.<\/p>\n<p>The Ya\u00f1ez\u2019s have co-curated the Day of the Dead exhibit in the SOMArt\u2019s Cultural Center for the last nine years, with this year\u2019s \u201cVisions at Twilight\u201d show blending cultural tradition with contemporary political issues and conceptual artistic aesthetics.<\/p>\n<p>Now in its 15th year at SOMArts, the month-long exhibit celebrated its opening night on Oct. 10. Along with more conventional and colorful altars, visitors to this year\u2019s exhibit will find themselves confronted with pressing issues such as institutionalized police violence, San Francisco\u2019s rampant housing crisis and an aggressive shift in the Bay Area\u2019s demographics as a consequence of gentrification.<\/p>\n<p>\u201cIt\u2019s the artists who are on the line\u2014but every single one of us has something at stake with this,\u201d said Rio. \u201cWe are all kind of looking at our roles in this scenario and what we can do to effect change positively and negatively.\u201d<\/p>\n<p>It was in 1972 that Rene first introduced the traditional Mexican holiday to the Bay Area in the form of altar installations at the Mission District\u2019s Galer\u00eda de la Raza, which he founded two years prior. At that time, said Rene, the exhibit looked very different.<\/p>\n<p>In a neighborhood that was at that time mostly Latino, Rene created a tradition that soon became a cross-cultural institution in the Mission District, drawing thousands of visitors from throughout the Bay Area.<\/p>\n<p>Over the past 15 years at SOMArts, the exhibit\u2019s themes have evolved with the needs of the community.<\/p>\n<p>This year, there is an altar dedicated to Alejandro Nieto, a 28-year-old security guard who was shot and killed by the San Francisco Police Department in March.<\/p>\n<p>Rene entered the altar that resembles a living room, lovingly assembled by Nieto\u2019s family and friends. Baseball caps and photographs adorn the walls of the closed-off space, the steady buzzing of a television delivers background noise and Nieto\u2019s security guard uniform is neatly spread on a clothes hanger.<\/p>\n<p>\u201cThese are his personal belongings,\u201d explained Rio. \u201cThey are literally the offerings that his family is making to take on to the next world. It is extremely powerful.\u201d<\/p>\n<p>Rene took a seat on a small couch in front of the television to breathe in silence. The memories captured within the life-sized altar are palpable even to those who did not know Nieto personally.<\/p>\n<p>\u201cIt\u2019s an injustice,\u201d said Rene, breaking his silence. \u201cThe (neighbor) that called the police on him, and what set off\u2014the profiling\u2026 it\u2019s all part of gentrification, and to me, it is very painful because I see that happening all the time.\u201d<\/p>\n<p>Nieto\u2019s was among many creatively arranged altars depicting the issue and struggle over gentrification in the Mission District.<\/p>\n<p>\u201cThe Mission is changing, but it\u2019s up to you to grab that place, grab the memories, and to connect with the people that are there,\u201d said artist Ytaelena Lopez, whose altar is a sandbox filled with pennies, under which icons of the Mission District can be discovered by visitors\u2014a metaphor for the moving of money in the neighborhood.<\/p>\n<p>\u201cWhen cities change so fast, new people come who are unfamiliar with the collective memory of the people who are already there,\u201d she added. \u201cWe want the new people that come to realize that they are part of something bigger than what is new and trendy.\u201d<\/p>\n<p>Arriving in front of his own altar, Rene provides a glimpse of his personal struggle\u2014one that has been covered extensively by local media but that seems to have not impeded his work and commitment within his community.<\/p>\n<p>In October of 2013, after 35 years of living in the Mission, he was evicted under the Ellis Act. According to Rene, the struggle is ongoing, and he and his partner have been able to remain in their home until now.<\/p>\n<p>\u201cIt\u2019s a matter of resistance. Techies have a different view of culture. It\u2019s a different phenomenon that is coming into San Francisco, and it\u2019s redefining culture and contribution,\u201d he said.<\/p>\n<p>Both Rene and Rio agree that mourning loss\u2014in the form of culture, a home, or a life\u2014is part of the cycle of life and death, but so is nurturing hope and building resilience.<\/p>\n<p>\u201cThese pieces wouldn\u2019t be made if there wasn\u2019t some form of hope and optimism,\u201d said Rio. \u201cSome are very mournful, but it\u2019s also the reason why we are presenting this, the reason we are pushing back is because there is some form of hope that we can make a change here.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>When it comes to keeping tradition alive, renowned San Francisco artist Rene Ya\u00f1ez and his son Rio prefer an unconventional approach: They celebrate death.<\/p>\n","protected":false},"author":35,"featured_media":24738,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"newspack_popups_has_disabled_popups":false,"newspack_featured_image_position":"","newspack_post_subtitle":"","newspack_article_summary_title":"Overview:","newspack_article_summary":"","newspack_hide_updated_date":false,"newspack_show_updated_date":false,"footnotes":""},"categories":[7],"tags":[1279,3480,2639,2673,834,2075],"coauthors":[],"class_list":["post-24737","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-dia-de-los-muertos","tag-dia-de-los-muertos-2014","tag-rene-yanez","tag-rio-yanez","tag-somarts","tag-somarts-cultural-center","entry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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