{"id":24718,"date":"2014-10-13T15:40:00","date_gmt":"2014-10-13T22:40:00","guid":{"rendered":"http:\/\/eltecolote.org\/content\/?p=24718"},"modified":"2014-10-13T15:41:54","modified_gmt":"2014-10-13T22:41:54","slug":"civil-rights-photographers-entire-collection-to-be-digitized-and-displayed-by-stanford","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/en\/civil-rights-photographers-entire-collection-to-be-digitized-and-displayed-by-stanford\/","title":{"rendered":"Civil rights photographer gives collection to Stanford"},"content":{"rendered":"
\"Surrounded<\/a>
Surrounded by press and supporters during a break in the Meredith March Against Fear, Martin Luther King Jr. shakes hands with civil rights activist and Mississippi leader Annie Devine. Canton, Mississippi, 1966. Photo Bob Fitch<\/figcaption><\/figure>\n

The great photojournalist Dorothea Lange\u2014well known for capturing the hardships of the depression era\u2014once said, \u201cPhotography takes an instant out of time, altering life by holding it still.\u201d<\/p>\n

This is exactly what Watsonville-based civil rights photographer Bob Fitch has done over his 50 years.<\/p>\n

Last fall, the humble and soft-spoken photographer gave his collection\u2014 consisting of about 275,000 images and negatives documenting the struggle of civil rights workers during the 1960s and 1970s\u2014to Stanford University under the agreement that it be made digitally available for social justice work and non-commercial use.<\/p>\n

\u201cPhotographs capture the dance, the engagement, the touch,\u201d said Fitch during a panel on Sept. 30 for the opening of the \u201cMovements for Change: The Bob Fitch Photography Archive at Stanford Libraries\u201d exhibit. The exhibit features about 50 prints of Martin Luther King Jr. and the Southern Christian Leadership Conference\u2019s civil rights work in the South, Cesar Chavez and the United Farmworkers Union (UFW) labor organizing, Viet Nam-era draft resisters, and the Black Power movement.<\/p>\n

As a teenager growing up in Berkeley, Fitch was influenced by the city\u2019s leftist environment, which included families who were members of the Communist Party USA.<\/p>\n

\u201cThey were loving, friendly and gave a lot of hugs,\u201d said Fitch.<\/p>\n

In the early 1960s, the young Fitch was on a religious path at the Pacific School of Religion in Berkeley when he picked up James Baldwin\u2019s seminal opus on race relations: \u201cThe Fire Next Time.\u201d<\/p>\n

Baldwin\u2019s book had such an impact on Fitch that he changed his career direction, deciding to make social change from the field as an activist, rather than from the pulpit. But it wasn\u2019t until he picked up some used camera equipment that he found his true calling as a social justice photographer.<\/p>\n

\u201cPhotojournalism seduced me,\u201d Fitch wrote in his online bio. \u201cIt is a compelling combination of visual aesthetics, potent communication and story telling. In order to tell the story effectively one has to be there\u2014close.\u201d<\/p>\n

He got his first photography apprenticeship at San Francisco’s Glide Foundation. In 1965 he traveled to Atlanta where he became a volunteer staff photographer for the Southern Christian Leadership Conference led by Martin Luther King Jr. Fitch spent the next two years traveling throughout the South, documenting the day-to-day civil rights work as it happened.<\/p>\n

In situations where black photographers faced potential danger, Fitch, as a white man, was able to capture community organizing efforts, police violence, demonstrations, voter registration drives and political campaigns up close. As a result his images were often featured in major African American publications, such as Jet and Ebony.<\/p>\n

\"Cesar<\/a>
Cesar Chavez waves an American flag to counter Red-baiting during an organizing rally. To his right is Chavez confidant Marshall Ganz (wearing glasses). Directly behind the speaker (in plaid shirt) is Bill Kircher, AFL-CIO Director of Organizing and liaison to the UFW, and members of the Seafarers Union. Salinas, California, 1970. Photo Bob Fitch<\/figcaption><\/figure>\n

In 1968, Fitch returned to the Bay Area only to hear that King had been assassinated. King\u2019s family asked Fitch to immediately return to Atlanta to document the funeral. His iconic images of the King family in mourning are well known. While still grieving for the man who had embraced him and whom he considered a mentor, Fitch made an important decision to take a more systematic approach toward documenting the civil rights movement.<\/p>\n

\u201cDuring the following days, I soberly reflected on the fact that many of the non-violent peace and social justice campaign leaders I respected were threatened with harm, prison, or death,\u201d Fitch said in the Stanford exhibit catalogue.<\/p>\n

Fitch\u2019s list of his heroes grew to include UFW president Chavez, draft resister David Harris, Roman Catholic priests and peace activists Daniel and Philip Berrigan, folk singer Pete Seeger, Berkeley City Councilman Ron Dellums and more.<\/p>\n

He covered the UFW from 1968 to 1974, photographing farmworkers in the fields and in their homes. His work documents pickets, marches, funerals, and police brutality. One of his photographs of Chavez was used for a 2003 USPS postage stamp.<\/p>\n

Although his photography endeavors were often interrupted by pay-the-rent jobs, his collection truly and fully documents many key moments in the civil rights movement.<\/p>\n

Stanford Special Collections has begun the process of digitizing Fitch\u2019s massive collection with the \u201cBob Fitch photography archive \u2013 Cesar Chavez\/UFW gallery, 1968-1974,\u201d which consists of 90 images that can be found at http:\/\/searchworks.stanford.edu\/view\/zp940yp4275<\/a>. Eventually 200,000 images will be on the Stanford website.<\/i><\/p>\n

The exhibit \u201cMovements for Change: The Bob Fitch Photography Archive at Stanford Libraries\u201d runs through Feb. 22, 2015 in the Peterson Gallery and Munger Rotunda of Stanford\u2019s Green Library. To confirm library hours, call 650-723-0931. Visitors without Stanford ID must register with a government-issued photo ID at the entrance to Green Library before entering the building.<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"

The great photojournalist Dorothea Lange\u2014well known for capturing the hardships of the depression era\u2014once said, \u201cPhotography takes an instant out of time, altering life by holding it 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