{"id":18647,"date":"2013-01-31T15:40:57","date_gmt":"2013-01-31T22:40:57","guid":{"rendered":"http:\/\/eltecolote.org\/content\/?p=18647"},"modified":"2014-12-12T13:59:16","modified_gmt":"2014-12-12T20:59:16","slug":"fascinante-retrato-del-plebiscito-de-1988-en-chile","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/es\/fascinante-retrato-del-plebiscito-de-1988-en-chile\/","title":{"rendered":"Fascinante retrato del plebiscito de 1988 en Chile"},"content":{"rendered":"
\"\"<\/a>
Gael Garc\u00eda Bernal en un fotograma de la pel\u00edcula No, dirigida por Pablo Larra\u00edn. Foto Courtesy Sony Pictures Classics<\/figcaption><\/figure>\n

El cineasta Pablo Larra\u00edn cierra una serie de tres producciones cinematogr\u00e1ficas ambientadas durante la dictadura de Augusto Pinochet (1973\u20131990) con su pel\u00edcula No, el primer filme chileno en recibir una nominaci\u00f3n al \u00d3scar a la Mejor Pel\u00edcula Extranjera.
\nEsta fascinante producci\u00f3n sucede durante el plebiscito que tuvo lugar en 1988, que permiti\u00f3 a los chilenos a votar \u2018S\u00ed\u2019 o \u2018No\u2019 a la continuaci\u00f3n del mandato militar, como resultado de la presi\u00f3n internacional sobre el r\u00e9gimen.<\/p>\n

La campa\u00f1a consisti\u00f3 en segmentos televisivos de 15 minutos que se otorg\u00f3 a cada una de las campa\u00f1as durante casi un mes.<\/p>\n

Caracter\u00edstico de la obra de Larra\u00edn, el protagonista es un personaje ambiguo y lac\u00f3nico viviendo un per\u00edodo hist\u00f3rico pol\u00edtico polarizado.<\/p>\n

Este car\u00e1cter ambiguo del personaje principal junto al hecho de que Larra\u00edn escogi\u00f3 a la estrella mexicana Gael Garc\u00eda Bernal en el papel protag\u00f3nico, contribuye a privar a la audiencia de un contexto pol\u00edtico global.<\/p>\n

\"Poster_NO_v2_60x40CANANA\"Larra\u00edn desciende de una familia de pol\u00edticos y prefiere mantener su vida personal fuera de la prensa. Es cuestionable si Larra\u00edn, al igual que Ren\u00e9 Saavedra (Garc\u00eda Bernal), se esconde detr\u00e1s de su medio para cubrir su procedencia.<\/p>\n

Ren\u00e9 se exili\u00f3 con su familia en M\u00e9xico, pero regres\u00f3 a Chile para emprender una carrera en el mundo de la publicidad. Se arrima a ambos lados, cuando se compromete a dirigir la campa\u00f1a del No, mientras que recibe sueldo y la protecci\u00f3n de empresarios de la extrema derecha que se benefician de la dictadura.<\/p>\n

La pel\u00edcula no est\u00e1 hecha para expertos en pol\u00edtica chilena, ya que cautiva a todos, sin embargo los ne\u00f3fitos no deben esperar que la pel\u00edcula resulte una lecci\u00f3n de historia. \u201cNo pretende ser una pel\u00edcula que sirva para dar clase en un colegio. Tampoco es un tratado historiogr\u00e1fico. No hay una verdad hist\u00f3rica en esta pel\u00edcula\u201d, dijo Larra\u00edn.<\/p>\n

Al igual que los protagonistas de las pel\u00edculas anteriores de Larra\u00edn, Ren\u00e9 redime el hecho de que vendi\u00f3 su alma al diablo a trav\u00e9s de sus obsesiones, su ex-esposa Ver\u00f3nica Carvajal (Antonia Zegers) y su hijo Sim\u00f3n (Pascal Montero). Su \u00e9tica poco a poco se hace m\u00e1s ambigua a medida que evoluciona la lucha contra la dictadura.<\/p>\n

La primera pel\u00edcula de la trilog\u00eda, Tony Manero (2008), llev\u00f3 a Larra\u00edn a la vanguardia del circuito de festivales. Se trata de un inquietante retrato de un asesino en serie obsesionado con ser el personaje de John Travolta en la pel\u00edcula Fiebre del s\u00e1bado por la noche \u2014un trasfondo ir\u00f3nico en tiempos de dictadura.<\/p>\n

La segunda pel\u00edcula, Post-Mortem (2010), se centra en la figura de un estoico funcionario de pompas f\u00fanebres, que sin lugar a dudas y con calma es testigo de los primeros sangrientos d\u00edas del golpe de Estado que derroc\u00f3 el presidente Salvador Allende en 1973.<\/p>\n

No se destaca en la trilog\u00eda por su rodaje con una c\u00e1mara \u2018U-matic 3:4\u2019. La est\u00e9tica de baja definici\u00f3n del VHS ubica acertadamente al p\u00fablico en la d\u00e9cada de los ochenta. A medida que la c\u00e1mara pasa de escenas de los anuncios televisivos de campa\u00f1a al personaje de Ren\u00e9 tratando de rescatar a su ex-esposa izquierdista de la c\u00e1rcel, las im\u00e1genes estimulan un recuerdo turbio de la \u00e9poca.<\/p>\n

No s\u00f3lo seduce por su cinematograf\u00eda, el retrato de Larra\u00edn del plebiscito en No, cada campa\u00f1a mano a mano retando a la otra, es tan interesante como po\u00e9tica. Como Larra\u00edn explic\u00f3: \u201cLa pel\u00edcula result\u00f3 de la curiosidad de c\u00f3mo se hizo la campa\u00f1a del \u2018No\u2019. A m\u00ed me parece extraordinaria y mucha gente en Chile piensa lo mismo.\u201d<\/p>\n

No se estrenar\u00e1 el 1 de marzo en los Cines Landmark en San Francisco, y el 8 de marzo en Shattuck Cinemas en Berkeley.<\/p>\n

\u2014Traducci\u00f3n Alfonso Agirre<\/em><\/p>\n

Para leer la entrevista con cineasta Pablo Larra\u00edn, haz click aqui: https:\/\/eltecolote.org\/content\/2013\/01\/entrevista-con-cineasta-pablo-larrain\/<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

El cineasta Pablo Larra\u00edn cierra una serie de tres producciones cinematogr\u00e1ficas ambientadas durante la dictadura de Augusto Pinochet (1973\u20131990) con su pel\u00edcula No, el primer filme chileno en recibir una nominaci\u00f3n al \u00d3scar a la Mejor Pel\u00edcula Extranjera. Esta fascinante producci\u00f3n sucede durante el plebiscito que tuvo lugar en 1988, que permiti\u00f3 a los chilenos […]<\/p>\n","protected":false},"author":35,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"newspack_popups_has_disabled_popups":false,"newspack_featured_image_position":"","newspack_post_subtitle":"","newspack_article_summary_title":"Overview:","newspack_article_summary":"","newspack_hide_updated_date":false,"newspack_show_updated_date":false,"footnotes":""},"categories":[3519],"tags":[56,2018,2019,2020,2017,2022,2021],"coauthors":[],"class_list":["post-18647","post","type-post","status-publish","format-standard","hentry","category-noticias","tag-chile","tag-film-review","tag-gael-garcia-bernal","tag-no","tag-pablo-larrain","tag-post-mortem","tag-tony-manero","entry"],"yoast_head":"\nFascinante retrato del plebiscito de 1988 en Chile - El Tecolote<\/title>\n<meta name=\"description\" content=\"El cineasta Pablo Larra\u00edn cierra una serie de tres producciones cinematogr\u00e1ficas ambientadas durante la dictadura de Augusto Pinochet (1973\u20131990) con su\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/eltecolote.org\/content\/es\/fascinante-retrato-del-plebiscito-de-1988-en-chile\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fascinante retrato del plebiscito de 1988 en Chile - 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