{"id":17018,"date":"2012-10-25T22:07:08","date_gmt":"2012-10-26T05:07:08","guid":{"rendered":"http:\/\/eltecolote.org\/content\/?p=17018"},"modified":"2012-10-26T22:24:35","modified_gmt":"2012-10-27T05:24:35","slug":"day-of-the-dead-altars-come-alive","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/en\/day-of-the-dead-altars-come-alive\/","title":{"rendered":"Day of the Dead altars come alive"},"content":{"rendered":"
\"\"<\/a>
Our Lady of Metamorphosis by Susan Zupko, Kathleen Young & Diana Hamid. Photo Melanie Guilbault<\/figcaption><\/figure>\n

Walking into SOMart\u2019s Dia de los Muertos 2012 exhibition, altars celebrate ancestors and honor the present and future. The exhibits range from traditional altars to the interactive and futuristic, but consistent throughout is each artist\u2019s ability to represent stories by the community that keep memories alive.<\/p>\n

Dedicated to honoring both death and the cycle of life, Dia de los Muertos, or Day of the Dead, is a traditional Mesoamerican holiday dedicated to the ancestors. The holiday encourages keeping deep bonds with ancestors and loved ones that have passed away.<\/p>\n

Victor-Mario Zaballa, a longtime artist in SOMart\u2019s Dia de los Muertos exhibit, dedicates his altar to family lineage of artesanas (craft makers) with a traditional altar, sugar skulls, flowers and papel picado.<\/p>\n

The altar \u201cLive Vibrantly\u201d makes its home for the recently deceased Daniel del Solar, a lifelong media documentarian of the struggles for social justice, especially those in Latin America. Del Solar documented every Dia de los Muertos exhibit in the Bay Area and now in spirit collaborators Miranda Bergman, Ana Luisa and Nina Serrano have made sure he is remembered.<\/p>\n

\"\"<\/a>
Chloe Rose y su obra \u201cA Joyful Exit\u201d. Chloe Rose and her piece A Joyful Exit. Photo Melanie Guilbault<\/figcaption><\/figure>\n

As every piece displayed comes from Del Solar\u2019s house, it feels like stepping into a lively creative director\u2019s office. Hanging on the orange walls are pictures of Del Solar as well as a copy of Tin-Tan, a Chicano\/Latino cultural magazine for which Del Solar was a founding co-editor. To the right hangs a timeline of Del Solar\u2019s accomplishments and his works.<\/p>\n

San Francisco-based artist Martha Rodriguez, honors her father\u2019s love, which helped her to survive Acute Lymphoblastic Leukemia. A month before her diagnosis, her father\u2019s warmth surrounded her.<\/p>\n

\u201cI felt his arms around me as I carried on with daily life,\u201d Rodriguez said. \u201cI remember thinking how odd that felt since my father had been deceased for nine years.\u201d<\/p>\n

Two floating arms\u2014seemingly in a steady embrace\u2014point to the focal point of her altar. In the center hangs a beaming picture of her father.<\/p>\n

\u201cI want people to see that [my father] was very loving, very giving, very sensitive, in terms of what you had going on with you and wanting to help you,\u201d she said.<\/p>\n

Howie Katz, an Oakland-based artist who focuses on sculpture and installation art, proves that the present can be an eerie window into the future, by using Facebook to let guests create their own altars. Anyone stopping by can log into Facebook and Katz\u2019 program randomly selects photos to be projected onto the altar\u2019s empty picture frames.<\/p>\n

\"\"<\/a>
El Corrido del Cortito by Martinez. Photo Melanie Guilbault<\/figcaption><\/figure>\n

Edmundo de Marchena\u2019s \u201cTree for all\u201d encourages visitors to celebrate their family, regardless of family structure.<\/p>\n

\u201cWhen I grew up, my mother was divorced, and there\u2019s a lot of people who think of you as an incomplete family,\u201d de Marchena said.<\/p>\n

De Marchena\u2019s background of living in both Venezuela and the U.S. fuels his passion for integrating art with social causes and psychological perspectives. He invites visitors to hang a ribbon decorated with stickers representing each family member. Each sticker has a symbol for male, female or intersex, and is therefore inclusive of the evolving identities of sexuality.<\/p>\n

\u201cChildren are relating to it a lot and that\u2019s a measure for me for great success because that is community,\u201d he said. \u201cThey don\u2019t need to read anything \u2026 they just want to hang up a ribbon (of their family). It\u2019s romantic.\u201d<\/p>\n

Guests\u2019 expectations of SOMart\u2019s \u201cCalling on the Spirits to Face the Furture: D\u00eda de los Muertos 2012\u201d will certainly be surpassed by the beauty of each alter and the complexity of the stories they tell.<\/p>\n

On the opening night, gallery visitor Wilthelma \u201cT\u201d Ortiz reflected on her favorite exhibit by artist Ruby Spam.
\n\u201cOne thing she put on her alter was \u2018I want to be a ballet dancer and I need you to believe in me.\u2019 That really inspired me because people have to believe in another in order to be what we really want to be,\u201d Ortiz said.<\/p>\n

Spam is one of over hundred artists who have brought both heart, soul and mind in creating both loving and inspiring altars. After a gallery visit, it\u2019s hard to not feel the warmth of sentimental reflection of the past\u2019s ability to give strength for the future.<\/p>\n","protected":false},"excerpt":{"rendered":"

Walking into SOMart\u2019s Dia de los Muertos 2012 exhibition, altars celebrate ancestors and honor the present and future. 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