{"id":14884,"date":"2012-06-07T21:29:33","date_gmt":"2012-06-08T04:29:33","guid":{"rendered":"http:\/\/eltecolote.org\/content\/?p=14884"},"modified":"2012-06-19T16:52:04","modified_gmt":"2012-06-19T23:52:04","slug":"new-exhibit-explores-cultural-mysteries-of-art","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/en\/new-exhibit-explores-cultural-mysteries-of-art\/","title":{"rendered":"New exhibit explores cultural mysteries of art"},"content":{"rendered":"
\"\"<\/a>
Gustavo Montoya; Ni\u00f1o con Sandia, 1957; Boy with watermelon; Mexico; Oil on canvas; Gift of David Tillery; 1986\/29.3. Photo Courtesy Mexican Museum<\/figcaption><\/figure>\n

The new exhibit at Fort Mason\u2019s Mexican Museum features multimedia pieces, ranging from photography to sculpture, and showcases the mystique of portraiture through nearly 30 pieces representing a wide range of Latino cultural expression, from pre-Hispanic to Chicano art.<\/p>\n

\u201cCaras\/Cuentos,\u201d or \u201cFaces\/Stories,\u201d aims to provoke discussion of Latino identity in a culturally fragmented society.<\/p>\n

\u201cIf we don\u2019t know ourselves, how can we deal with the real world?\u201d asked David de la Torre, adjunct curator of visual arts for the Mexican Museum.<\/p>\n

Pitting one\u2019s identity against that of the artist\u2019s can both stimulate and deprecate, whether it be against religious pre-Hispanic art or contemporary Chicano art.<\/p>\n

\u201cThe Immaculate Conception,\u201d a 17th century, carved wooden sculpture of the Blessed Virgin Mary, stark and time worn, with glass eyes, greets viewers entering the exhibit. But the statue is missing its crown and looks more masculine than its purported subject\u2014the original message by the sculptor distorted.<\/p>\n

The symbols and images of religion, ancient culture and war\u2014all well represented in the exhibit\u2014are inextricably linked to Latino cultural identity, ensuring that no sentiment of division is made in the gallery.<\/p>\n

The mask motif is furthered by Rufino Tamayo\u2019s \u201cMask,\u201d which employs a mixograph technique that places objects between the paper and the block used to make the print, creating a mildly distorted image; its bright colors pull the viewer in, yet the confrontational black masks push the viewer away. Its size makes the piece an icon of the exhibit.<\/p>\n

\"\"<\/a>
Salvador Garcia; Ralph Maradiaga, 1986; Mexico; Seriegraph on paper. Photo Courtesy Mexican Museum<\/figcaption><\/figure>\n

The exhibit also explores the dynamics of Chicano, second-generation Mexican-Americans, epitomized by Los Angeles painter Carlos Almaraz\u2019s \u201cYoung Fool,\u201d a self-portrait of the artist who died of AIDS-related complications in the late \u201880s.<\/p>\n

The tall portrait is mirror-like and has a stunning effect on the exhibit: It creates the feeling of being mocked. The piece intimidates and intrigues with its subject, a jester, seemingly scoffing at the viewer. The effect of discomfort the piece creates lingers long after viewing.
\nThe exhibit also makes fascinating use of contrasts, whether in details as small as the colors of the walls behind the pieces on display, or the thematic purposes of the various sections.<\/p>\n

In one corner, oil paintings \u201cBoy With Watermelon\u201d by Gustavo Montoya and Emigdio Vasquez\u2019s \u201cDon Juanito\u201d share a style of environment affecting subject, but regarding a child in \u201cBoy\u201d and a weathered man in \u201cDon.\u201d Its intellectual effect is riveting: We all look different, but share a common strife.<\/p>\n

The exhibit runs through Jan. 6, 2013. The Mexican Museum\u2014located in Fort Mason Center, Building D, at Marina Boulevard and Buchanan Street\u2014is open Wednesday through Sunday from 12 p.m. to 4 p.m. Admission is free. For more information, call (415) 202-9700.<\/p>\n","protected":false},"excerpt":{"rendered":"

The new exhibit at Fort Mason\u2019s Mexican Museum features multimedia pieces, ranging from photography to sculpture, and showcases the mystique of portraiture through nearly 30 pieces representing a wide range of Latino cultural expression, from pre-Hispanic to Chicano 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