{"id":13184,"date":"2012-02-20T23:25:49","date_gmt":"2012-02-21T06:25:49","guid":{"rendered":"http:\/\/eltecolote.org\/content\/?p=13184"},"modified":"2012-02-20T23:27:10","modified_gmt":"2012-02-21T06:27:10","slug":"powerful-vocalist-reimagines-pop","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/en\/powerful-vocalist-reimagines-pop\/","title":{"rendered":"Powerful vocalist reimagines pop"},"content":{"rendered":"
\"\"<\/a>
Lila Downs. Courtesy of www.liladowns.com<\/figcaption><\/figure>\n

Lila Downs will perform in San Francisco Feb. 23 at the Herbst Theater. The California Institute of Integral Studies is organizing the show. Because of her experience, her sensuality and mostly because of her voice, Downs will be a sure success.<\/p>\n

\u201cI make an effort on stage,\u201d she says. \u201cIt\u2019s important to change things around. The audience wants to move and then listen to something a little deeper, and cry.\u201d<\/p>\n

Lila Downs has been producing albums since 1994, and has shown that she is capable of lighting the night on fire with her voice. In 2005 she released an album titled \u201cLa Cantina\u201d which sounds similar to the song selection of her most recent production, \u201cPecados y Milagros.\u201d<\/p>\n

She laughs when she speaks about her favorite sin, she mentions carnal sin and seems serious when she reveals the one she detests the most: lying. Downs says she likes the definition of anti corrido for the \u201cQueen of the Underworld,\u201d the sixth song in \u201cPecados y Milagros\u201d and speaks about what inspired the lyrics, written by her and her husband Paul Cohen, also her music producer.<\/p>\n

\u201cA friend of mine joined the mafia, because the poor man didn\u2019t want to be anymore,\u201d Downs explains. \u201cWe did it thinking about the tradition of mocking the sacred, of laughing about what we are afraid of. It is a critique of those who enter the business, not just of drug trade but of power. It\u2019s a satire of those who believe they are better than us.\u201d<\/p>\n

It is the second narcorrido Downs has recorded. The first was \u201cEl Centenario\u201d which was included in \u201cLa Cantina.\u201d<\/p>\n

The song is a token for groups and soloists from the north. The Tucanes de Tijuana, luminaries of the narcorridos have a version of it, and it is not rare to hear it blasted every time a Mexican feels the urge to communicate his or her association to the mafias or the drug cartels.<\/p>\n

But Downs\u2019 interpretation sounds more like a protest song about the histories of borders, a ballad for a duel, a weakened story, and not an apology for corrupted power.<\/p>\n

As opposed to \u201cEl Centenario,\u201d \u201cLa Reina del Inframundo\u201d lacks fluidity grace and therefore, the lyrics are lacking. And this in general, is one of the faults of Downs\u2019 most recent record.<\/p>\n

In terms of lyrics and song selection, although it includes great musicians such as Jos\u00e9 Alfredo Jim\u00e9nez, there is a certain kind of exhausted tone to it, redundancy or co-optation to the market forces, including Cucurrucuc\u00fa Paloma once more, not to mention the bland bachata \u201cSolamente un D\u00eda,\u201d in the insistent association of Downs-Cohen as musical producers.<\/p>\n

But it is difficult to criticize Downs, a true miracle in the music scene. \u201cPecados y Milagros,\u201d although failing in its repetition of hit songs includes, and not as a miracle but as a proof of hard work, popular songs that would be unlikely to appear on any other artists\u2019 repertoire outside of the independent scene.<\/p>\n

\u201cPecados y Milagros\u201d is an album to enjoy\u2014the collaboration from Toto Momposina and Celso Pi\u00f1a in Zapara insures an inevitable success, irresistible to dance. Perhaps it is not Downs\u2019 most memorable album but it possesses the elements that have made her performances valuable, nostalgic and necessary to bring back reason to the body just like a drink of mescal does.<\/p>\n

One must speak of miracles before ending. Downs mentions the birth of her son Benito Dxuladi, \u201ca new master in life\u201d. She speaks about faith and says that, \u201cif we lose it, everything is dammed.\u201d In the end, faith is retained in Lila Downs.<\/p>\n","protected":false},"excerpt":{"rendered":"

Lila Downs will perform in San Francisco Feb. 23 at the Herbst Theater. The California Institute of Integral Studies is organizing the show. Because of her experience, her sensuality and mostly because of her voice, Downs will be a sure success. <\/p>\n","protected":false},"author":35,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"newspack_popups_has_disabled_popups":false,"newspack_featured_image_position":"","newspack_post_subtitle":"","newspack_article_summary_title":"Overview:","newspack_article_summary":"","newspack_hide_updated_date":false,"newspack_show_updated_date":false,"footnotes":""},"categories":[7],"tags":[1512,1510,1511,1509],"coauthors":[],"class_list":["post-13184","post","type-post","status-publish","format-standard","hentry","category-news","tag-jose-alfredo-jimenez","tag-latin-music","tag-lila-downs","tag-the-california-institute-of-integral-studies","entry"],"yoast_head":"\nPowerful vocalist reimagines pop - El Tecolote<\/title>\n<meta name=\"description\" content=\"Lila Downs will perform in San Francisco Feb. 23 at the Herbst Theater. 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