{"id":12505,"date":"2011-12-20T08:00:20","date_gmt":"2011-12-20T15:00:20","guid":{"rendered":"http:\/\/eltecolote.org\/content\/?p=12505"},"modified":"2011-12-19T00:41:47","modified_gmt":"2011-12-19T07:41:47","slug":"through-the-lens-of-cinema","status":"publish","type":"post","link":"https:\/\/eltecolote.org\/content\/en\/through-the-lens-of-cinema\/","title":{"rendered":"Through the lens of cinema"},"content":{"rendered":"
\"\"<\/a>
Shot from the Film \u201cEl Lugar Mas Peque\u00f1o.\u201d Photo Courtesy Fondo para la Producci\u00f3n Cinematogr\u00e1fica de Calidad (FOPROCINE). Peque\u00f1o.\u201d Photo Courtesy Fondo para la Producci\u00f3n Cinematogr\u00e1fica de Calidad (FOPROCINE).<\/figcaption><\/figure>\n

Access to a wide variety of films is just one of the advantages of living in the Bay Area. Whether retrospectives or circuits of directors in museums, debut films being shown at festivals or Hollywood and Indiewood-style premieres, there are cinematic jewels in various languages and genres just waiting to be discovered like hidden treasures.<\/p>\n

At the beginning of the year, the Yerba Buena Center for the Arts presented Portuguese filmmaker Pedro Acosta\u2019s \u201cThere is no Change,\u201d a documentary about French singer Jeanne Balibar. More than just a film, it is a cinematic meditation about the arduos and magically creative process of performing in a recording studio.<\/p>\n

In May Wandering Cinema premiered the Peruvian documentary \u201cSaicomania\u201d about the pioneering \u201860s garage rock band Los Saicos.
\nThe International Film Festival of the month of May, which was presented by the San Francisco Film Society, showed a very nice documentary directed by a young Mexican\/ Salvadorian woman called \u201cThe Smallest Place.\u201d The film uses an original approach to narrate the consequences of the war in the pueblo of Cinquera, El Salvador.<\/p>\n

Director Patricio Guzman brought his masterpiece \u201cNostalgia for the Light\u201d to the festival. The film revisits Chile\u2019s collective memory while making a parallel connection to the cosmos. The Pacific Film Archive in Berkeley also took the opportunity to show a retrospective of Guzman\u2019s entire film career.<\/p>\n

In commercial cinema, there was the Argentine thriller \u201cCarancho,\u201d a film that touches on the desperate circumstances in the decade after the Argentine economic collapse.<\/p>\n

The Festival of Independent Cinema\u2019s Indie fest delighted us with two horror and fantasy films: \u201cSad Trumpet Ballad\u201d from Basque director Alex de la Iglesia, and \u201cWe Are What We Are\u201d by Mexican director Jorge Grau. The same festival also screened \u201cNuns with Guns,\u201d a fun grindhouse film produced in California by Joseph Guzman.<\/p>\n

In June, Peruvian director Javier Fuentes Leon screened his \u201cEntrecorrientes\u201d at the annual Frameline Film Festival. The film, which was a crowd favorite, won an award at the Sundance Film Festival. The Chilean film \u201cOld Cats\u201d was also shown at this festival. It is the third film by Pedro Peirano and Sebastian Silva, the famous directors responsible for \u201cLa Nana.\u201d<\/p>\n

By autumn, the work of Filipino filmmaker Brillante Mendoza was presented in San Francisco at the Mission Cultural Center for the Arts and YBCA, respectively. The films \u201cSerbis\u201d and \u201cLola\u201d were two unforgettable stories that serve as an excellent representation of Third World cinema.<\/p>\n

The Latino Film Festival organized by Cine M\u00e1s, presented its third edition during one week of film across various locations. Titles like the Venezuelan \u201cHabana Eva\u201d by Fina Torres and the charming Panamanian film \u201cFollowing the Stars\u201d by Iris Disse were beautiful in their simplicity. In the local sphere, the short film \u201cMagician,\u201d which was produced in Richmond Calif., was also screened at the festival.<\/p>\n

Another local film that screened in October was Juan Banderas\u2019 \u201cAttack of the Fighting Zombies,\u201d a fun exercise in terror B-movies, which was produced in Hayward.<\/p>\n

In September, The Mexican film \u201cLas Supersonicas\u201d was shown at the MCCLA.<\/p>\n

In the meantime, the San Francisco Film Society hired Federico Veiroj from Uruguay as resident director for a month. His Film \u201cXXX\u201d had been presented months before at the International Film Festival, and his debut film \u201cAcne\u201d was being shown just a few years before that at the Castro Theatre.<\/p>\n

In the month of September the SFFS also showed \u201cPuzzle,\u201d the debut film by Argentinian director Natalia Smirnoff. \u201cPuzzle\u201d features actress Maria Onetto who starred in \u201cThe Woman Without a Head\u201d by Lucrecia Martel. Onetto also acted in \u201cOctubre,\u201d a Peruvian film that recently has been nominated as the Oscar selection for Peru this year.<\/p>\n

In reference to new directors, the YBCA and later the Pacific Film Archive showed a retrospective piece about the work of young Mexican director Nicolas Pereda, who has created a variety of films over the past five years.<\/p>\n

And just this month, YBCA also showed \u201cChico y Rita,\u201d an animated Spanish film directed by Fernando Trueba and Javier Mariscal.
\n2011 was a year with an abundance of Latino cinema throughout the Bay Area. If the main funders continue to be cultural institutions, film festivals and cinema associations, there is hope that the circuits of distribution in this country will continue to diversify their catalogues and include more Latino cinema in commercial theaters.<\/p>\n","protected":false},"excerpt":{"rendered":"

Access to a wide variety of films is just one of the advantages of living in the Bay Area. Whether retrospectives or circuits of directors in museums, debut films being shown at festivals or Hollywood and Indiewood-style premieres, there are cinematic jewels in various languages and genres just waiting to be discovered like hidden treasures.<\/p>\n","protected":false},"author":35,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"newspack_popups_has_disabled_popups":false,"newspack_featured_image_position":"","newspack_post_subtitle":"","newspack_article_summary_title":"Overview:","newspack_article_summary":"","newspack_hide_updated_date":false,"newspack_show_updated_date":false,"footnotes":""},"categories":[7],"tags":[1432,1433,418,1431,1323,1430],"coauthors":[],"class_list":["post-12505","post","type-post","status-publish","format-standard","hentry","category-news","tag-director-patricio-guzman","tag-mission-cultural-center-for-the-arts","tag-pacific-film-archive","tag-pedro-acosta","tag-san-francisco-film-society","tag-yerba-buena-center-for-the-arts","entry"],"yoast_head":"\nThrough the lens of cinema - El Tecolote<\/title>\n<meta name=\"description\" content=\"Access to a wide variety of films is just one of the advantages of living in the Bay Area. 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